“Gorgeously written…One comes out of it having seen terrible and beautiful visions.” New York Times
One of the best-known experimental novels of the 1960s, Beautiful Losers is Cohen’s most defiant and uninhibited work.
As imagined by Cohen, hell is an apartment in Montreal, where a bereaved and lust-tormented narrator reconstructs his relations with the dead. In that hell, two men and a woman twine impossibly and betray one another again and again. Memory blurs into blasphemous sexual fantasy—and redemption takes the form of an Iroquois saint and virgin who has been dead for three hundred years but still has the power to save even the most degraded of her suitors.
By turns vulgar, rhapsodic, and viciously witty, Beautiful Losers explores each character’s attainment of a state of self-abandonment, in which the sensualist cannot be distinguished from the saint.
“Gorgeously written…One comes out of it having seen terrible and beautiful visions.” New York Times
“Leaves one gasping for breath as well as suitable words…Cohen is a powerful, poetic writer.” Dallas Times-Herald
“Brilliant, explosive, a fountain of talent.” Boston Sunday Herald
Dubbed ‘an unstructured, free-form, irreverent novel’ by Library Journal‘s reviewer, Beautiful Losers seemed too strange even for the Sixties. Nevertheless, the book went on to become a cult hit, selling more than 400,000 copies before going out of print…[and] now being reissued…With its gay relationships, homages to Canadian Native Americans, and search for the meaning of life, this may now find wider acceptance in the mainstream.” Library JOurnal
Language | English |
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Release Day | Jul 23, 2018 |
Release Date | July 24, 2018 |
Release Date Machine | 1532390400 |
Imprint | Blackstone Publishing |
Provider | Blackstone Publishing |
Categories | Literature & Fiction, Genre Fiction, Literary Fiction, Fiction - All, Fiction - Adult |
Overview
One of the best-known experimental novels of the 1960s, Beautiful Losers is Cohen’s most defiant and uninhibited work.
As imagined by Cohen, hell is an apartment in Montreal, where a bereaved and lust-tormented narrator reconstructs his relations with the dead. In that hell, two men and a woman twine impossibly and betray one another again and again. Memory blurs into blasphemous sexual fantasy—and redemption takes the form of an Iroquois saint and virgin who has been dead for three hundred years but still has the power to save even the most degraded of her suitors.
By turns vulgar, rhapsodic, and viciously witty, Beautiful Losers explores each character’s attainment of a state of self-abandonment, in which the sensualist cannot be distinguished from the saint.