“A biting, sagacious, and delightfully dark metaliterary novel about finding your way in a world on fire.” Kirkus Reviews (starred review)
Description
Desperate to quell her addiction to drugs, disastrous romance, and nineties San Francisco, Michelle heads south for LA. But soon it’s officially announced that the world will end in one year, and life in the sprawling metropolis becomes increasingly weird.
While living in an abandoned bookstore, dating Matt Dillon, and keeping an eye on the encroaching apocalypse, Michelle begins a new novel, a sprawling and meta-textual exploration to complement her promises of maturity and responsibility. But as she tries to make queer love and art without succumbing to self-destructive vice, the boundaries between storytelling and everyday living begin to blur, and Michelle wonders how much she’ll have to compromise her artistic process if she’s going to properly ride out doomsday.
Praise
“A biting, sagacious, and delightfully dark metaliterary novel about finding your way in a world on fire.” Kirkus Reviews (starred review)
“In Tea’s hands, sobriety, love, and something like happiness are stranger and more unsettling than bohemian decadence could ever hope to be…Black Wave retains the off-kilter realism of the best apocalyptic writing: The nightmare is like our world, only a little more so.” New York Times Book Review
“Tea paints a terrific portrait, but her great gift is how she makes readers look more closely at themselves.” Library Journal
“A love letter to literature’s lasting power and the ability of writing to save one’s future…If the world is going to end, then Tea’s way out isn’t so bad.” San Francisco Chronicle
“Black Wave is a rollicking triumph.” Maggie Nelson, author of The Argonauts
Details
| Language | English |
|---|---|
| Release Day | Mar 6, 2017 |
| Release Date | March 7, 2017 |
| Release Date Machine | 1488844800 |
| Imprint | Blackstone Publishing |
| Provider | Blackstone Publishing |
| Categories | Literature & Fiction, Women's Fiction, Genre Fiction, LGBTQ+, Coming of Age, Dystopian, Urban, Fiction - All, Fiction - Adult |
Author Bio
Michelle Tea is the author of over a dozen books, including the cult-classic Valencia, the illustrated Rent Girl, and the speculative memoir Black Wave. She is the recipient of awards from the Guggenheim, Lambda Literary, and Rona Jaffe Foundations, PEN/America, and other institutions. Knocking Myself Up is her latest memoir. Her cultural interventions include brainstorming the international phenomenon Drag Queen Story Hour, co-creating the Sister Spit queer literary performance tours, and occupying the role of Founding Director at RADAR Productions, a Bay Area literary organization, for over a decade. She also helmed the imprints Sister Spit Books at City Lights Publishers, and Amethyst Editions at The Feminist Press. She produces and hosts the Your Magic podcast, wherein which she reads tarot cards for Roxane Gay, Alexander Chee, Phoebe Bridgers and other artists, as well as the live tarot show Ask the Tarot on Spotify Greenroom.
Narrator Bio
Michelle Tea is the author of over a dozen books, including the cult-classic Valencia, the illustrated Rent Girl, and the speculative memoir Black Wave. She is the recipient of awards from the Guggenheim, Lambda Literary, and Rona Jaffe Foundations, PEN/America, and other institutions. Knocking Myself Up is her latest memoir. Her cultural interventions include brainstorming the international phenomenon Drag Queen Story Hour, co-creating the Sister Spit queer literary performance tours, and occupying the role of Founding Director at RADAR Productions, a Bay Area literary organization, for over a decade. She also helmed the imprints Sister Spit Books at City Lights Publishers, and Amethyst Editions at The Feminist Press. She produces and hosts the Your Magic podcast, wherein which she reads tarot cards for Roxane Gay, Alexander Chee, Phoebe Bridgers and other artists, as well as the live tarot show Ask the Tarot on Spotify Greenroom.
Overview
Desperate to quell her addiction to drugs, disastrous romance, and nineties San Francisco, Michelle heads south for LA. But soon it’s officially announced that the world will end in one year, and life in the sprawling metropolis becomes increasingly weird.
While living in an abandoned bookstore, dating Matt Dillon, and keeping an eye on the encroaching apocalypse, Michelle begins a new novel, a sprawling and meta-textual exploration to complement her promises of maturity and responsibility. But as she tries to make queer love and art without succumbing to self-destructive vice, the boundaries between storytelling and everyday living begin to blur, and Michelle wonders how much she’ll have to compromise her artistic process if she’s going to properly ride out doomsday.
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