“For admirers of Ferrante’s work who are not particularly interested in a biographical reading of her fiction, Frantumaglia offers something else: a chance to consider her strange, spectral presence in the world of letters.” New York Times Book Review
Description
The writer known as Elena Ferrante has taken pains to hide her identity in the hope that readers would focus on her body of work. But in this volume, she invites us into her workshop and offers a glimpse into the drawers of her writing desk—those drawers from which emerged her three early standalone novels and the four installments of the Neapolitan Novels, the New York Times bestselling “enduring masterpiece” (The Atlantic).
Consisting of over twenty years of letters, essays, reflections, and interviews, Frantumaglia is a unique depiction of an author who embodies a consummate passion for writing. Ferrante answers many of her readers’ questions. She addresses her choice to stand aside and let her books live autonomous lives. She discusses her thoughts and concerns as her novels are being adapted into films. She talks about the challenge of finding concise answers to interview questions. She explains the joys and the struggles of writing, the anguish of composing a story only to discover that that story isn’t good enough. She contemplates her relationship with psychoanalysis, with the cities she has lived in, with motherhood, with feminism, and with her childhood as a storehouse for memories, impressions, and fantasies. The result is a vibrant and intimate self-portrait of a writer at work.
Praise
“For admirers of Ferrante’s work who are not particularly interested in a biographical reading of her fiction, Frantumaglia offers something else: a chance to consider her strange, spectral presence in the world of letters.” New York Times Book Review
“In Frantumaglia there are some outstanding passages of literary criticism, feminist theory, film studies, sociology, and philosophy.” Sunday Times (London)
“Elena Ferrante…has created a body of work that stands alone. This represents an entire world, made up of language, family, gesture, emotions, politics, and culture.” Washington Post
“This is a fascinating volume, as ever beautifully translated by Ann Goldstein. At times, it is as absorbing as Ferrante’s extraordinary fictions and touches on troubling unconscious matter with the same visceral intensity.” Guardian (London)
“American readers hungry for every Ferrante sentence they can get will find many here in which she lowers her knife through the bread of life.” Los Angeles Times
Details
| Language | English |
|---|---|
| Release Day | Oct 31, 2016 |
| Release Date | November 1, 2016 |
| Release Date Machine | 1477958400 |
| Imprint | Blackstone Publishing |
| Provider | Blackstone Publishing |
| Categories | Literature & Fiction, Biographies & Memoirs, Women, Art & Literature, Education & Learning, Writing & Publishing, Essays, Nonfiction - Adult, Nonfiction - All |
Author Bio
Elena Ferrante, author of The Days of Abandonment, Troubling Love, and My Brilliant Friend, among others, is one of Italy’s most important and acclaimed contemporary writers. She was named one of the 100 Most Influential People of 2016 by Time.
Narrator Bio
Hillary Huber, a Los Angeles–based voice talent with hundreds of commercials and promos under her belt, was bitten by the audiobook bug in 2005. She now records books on a regular basis and has been nominated for several Audie Awards and won numerous Earphones Awards.
Overview
The writer known as Elena Ferrante has taken pains to hide her identity in the hope that readers would focus on her body of work. But in this volume, she invites us into her workshop and offers a glimpse into the drawers of her writing desk—those drawers from which emerged her three early standalone novels and the four installments of the Neapolitan Novels, the New York Times bestselling “enduring masterpiece” (The Atlantic).
Consisting of over twenty years of letters, essays, reflections, and interviews, Frantumaglia is a unique depiction of an author who embodies a consummate passion for writing. Ferrante answers many of her readers’ questions. She addresses her choice to stand aside and let her books live autonomous lives. She discusses her thoughts and concerns as her novels are being adapted into films. She talks about the challenge of finding concise answers to interview questions. She explains the joys and the struggles of writing, the anguish of composing a story only to discover that that story isn’t good enough. She contemplates her relationship with psychoanalysis, with the cities she has lived in, with motherhood, with feminism, and with her childhood as a storehouse for memories, impressions, and fantasies. The result is a vibrant and intimate self-portrait of a writer at work.
Reviews
Write Your Own Review