“Dyer is very funny, in both senses—sort of like a post-modern Kingsley Amis. His writing is acute and bad tempered in the great British tradition, and his prose is the equal of anyone in the country. A national treasure.” Zadie Smith, author of White Teeth
Every two years the international art world descends on Venice for the opening of the Biennale. Among them is Jeff Atman, a jaded and dissolute journalist, whose dedication to the cause of bellini-fuelled party-going is only intermittently disturbed by the obligation to file a story. When he meets the spellbinding Laura, he is rejuvenated, ecstatic. Their romance blossoms quickly, but is it destined to disappear just as rapidly?
Every day thousands of pilgrims head to the banks of the Ganges at Varanasi, the holiest Hindu city in India. Among their number is a narrator who may or may not be the Atman previously seen in Venice. Intending to visit only for a few days, he ends up staying for months, and suddenly finds a hitherto unexamined idea of himself, the self. In a romance he can only observe, he sees a reflection of the kind of pleasures that, willingly or not, he has renounced. In the process, two ancient and watery cities become versions of each other. Could two stories, in two different cities, actually be one and the same story?
An irrepressible and wildly original novel of erotic fulfillment and spiritual yearning, Jeff in Venice, Death in Varanasi is dead-on in its evocation of place, longing, and the possibility of neurotic enlightenment.
“Dyer is very funny, in both senses—sort of like a post-modern Kingsley Amis. His writing is acute and bad tempered in the great British tradition, and his prose is the equal of anyone in the country. A national treasure.” Zadie Smith, author of White Teeth
“A raucous delight. Jeff in Venice, Death in Varanasi is truly surprising—very funny, full of nerve, gutsy and delicious. Venice will never be the same again!” Michael Ondaatje, author of The English Patient
“Funny, insightful, and accessible, [Jeff in Venice] allows the reader to move easily between the two cities and connect with the two characters, or two halves of the same person…[Dyer is] an innovative, genre-bending writer.” Booklist
“A mere description of the story line only scratches the surface of this funny and mysterious work. Dyer’s witticisms and wordplay, woven into the ongoing commentary of the history, geography, and psychology of Venice and then Varanasi, are brilliant.” Library Journal
“Geoff Dyer is a True Original—one of those rare voices in contemporary literature that never ceases to surprise, disturb and delight. A must read for our confused and perplexing times.” William Boyd, author of Nat Tate: An American Artist 1928–1960
Language | English |
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Release Day | Jun 24, 2005 |
Release Date | June 25, 2005 |
Release Date Machine | 1119657600 |
Imprint | Blackstone Publishing |
Provider | Blackstone Publishing |
Categories | Literature & Fiction, Humor & Satire, Genre Fiction, Literary Fiction, Romance, Fiction - All, Fiction - Adult |
Overview
Every two years the international art world descends on Venice for the opening of the Biennale. Among them is Jeff Atman, a jaded and dissolute journalist, whose dedication to the cause of bellini-fuelled party-going is only intermittently disturbed by the obligation to file a story. When he meets the spellbinding Laura, he is rejuvenated, ecstatic. Their romance blossoms quickly, but is it destined to disappear just as rapidly?
Every day thousands of pilgrims head to the banks of the Ganges at Varanasi, the holiest Hindu city in India. Among their number is a narrator who may or may not be the Atman previously seen in Venice. Intending to visit only for a few days, he ends up staying for months, and suddenly finds a hitherto unexamined idea of himself, the self. In a romance he can only observe, he sees a reflection of the kind of pleasures that, willingly or not, he has renounced. In the process, two ancient and watery cities become versions of each other. Could two stories, in two different cities, actually be one and the same story?
An irrepressible and wildly original novel of erotic fulfillment and spiritual yearning, Jeff in Venice, Death in Varanasi is dead-on in its evocation of place, longing, and the possibility of neurotic enlightenment.