“Le Morte d'Arthur remains an enchanted sea for the reader to swim about in, delighting at the random beauties of fifteenth-century prose.” Robert Graves
Description
This monumental work made the Arthurian cycle available for the first time in English. Malory took a body of legends from Celtic folklore that had been adapted into French literature, gave them an English perspective, and produced a work which ever since has had tremendous influence upon literature.
The story begins with King Uther Pendragon’s use of enchantment to lay with Igraine, Duchess of Cornwall. Arthur is conceived and taken away in secret, returning as a young man to claim the throne by pulling the sword Excalibur from the stone. In retelling the story of Arthur’s rule of Britain, Malory intertwines the romances of Guinevere and Lancelot, Tristan and Isolde, and Lancelot and Elaine. Sir Galahad’s appearance at Camelot begins the quest for the Holy Grail. Finally, Camelot is brought down by the conflict between King Arthur and his natural son, Mordred.
Praise
“Le Morte d'Arthur remains an enchanted sea for the reader to swim about in, delighting at the random beauties of fifteenth-century prose.” Robert Graves
“I think my sense of right and wrong, my feeling of noblesse oblige, and any thought I may have against the oppressor and for the oppressed came from [Le Morte d’Arthur].” John Steinbeck
“A vigorous and compelling narrative, full of the spirit of adventurous knighthood.” Masterpieces of World Literature
“Malory's Le Morte DArthur combines the narrative excitment of an adventure story with the relative sophistication of allegorical romance.” Wordsworth Classics, Introduction by Helen Moore, Fellow and Tutor, University Lecturer, Oxford
Details
| Language | English |
|---|---|
| Release Day | Dec 31, 1996 |
| Release Date | January 1, 1997 |
| Number in Series | 1 |
| Series Display String | Le Morte D'Arthur Series |
| Release Date Machine | 852076800 |
| Imprint | Blackstone Publishing |
| Provider | Blackstone Publishing |
| Categories | Literature & Fiction, Classics, Science Fiction & Fantasy, Historical Fiction, Fantasy, Fairy Tales, Classics, Evergreen Classics, Evergreen Classics, Classics, Fiction - All, Fiction - Adult |
Author Bio
Sir Thomas Malory (1400?–1471) of Newbold Revel served with Richard Beauchamp, Earl of Warwick; was knighted in 1442, and was elected a member of parliament in 1445. For whatever reason, he turned to a life of irresponsible violence and spent most of his last twenty years in prison until his death in 1471. It was during his imprisonment that he composed, translated, and adapted his great rendering of Arthurian material, which has served as source and influence for all succeeding Arthurian literature, including Tennyson’s Idylls of the King.
Narrator Bio
Frederick Davidson (1932–2005), also known as David Case, was one of the most prolific readers in the audiobook industry, recording more than eight hundred audiobooks in his lifetime, including over two hundred for Blackstone Audio. Born in London, he trained at the Royal Academy of Dramatic Art and performed for many years in radio plays for the British Broadcasting Company before coming to America in 1976. He received AudioFile’s Golden Voice Award and numerous Earphones Awards and was nominated for a Grammy for his readings.
Overview
This monumental work made the Arthurian cycle available for the first time in English. Malory took a body of legends from Celtic folklore that had been adapted into French literature, gave them an English perspective, and produced a work which ever since has had tremendous influence upon literature.
The story begins with King Uther Pendragon’s use of enchantment to lay with Igraine, Duchess of Cornwall. Arthur is conceived and taken away in secret, returning as a young man to claim the throne by pulling the sword Excalibur from the stone. In retelling the story of Arthur’s rule of Britain, Malory intertwines the romances of Guinevere and Lancelot, Tristan and Isolde, and Lancelot and Elaine. Sir Galahad’s appearance at Camelot begins the quest for the Holy Grail. Finally, Camelot is brought down by the conflict between King Arthur and his natural son, Mordred.
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