“A wicked, invented encyclopedia of imaginary fascist writers and literary tastemakers, is Bolaño playing with sharp, twisting knives. As if he were Borges’s wisecracking, sardonic son, Bolaño has meticulously created a tightly woven network of far-right litterateurs and purveyors of belles lettres for whom Hitler was beauty, truth and great lost hope. Cross-referenced, complete with bibliography and a biographical list of secondary figures, Nazi Literature is composed of a series of sketches, the compressed life stories of writers in North and South America who never existed, but all too easily could have. Goose-stepping caricatures a la ‘The Producers’ they are not; instead, they are frighteningly subtle, poignant and plausible.” New York Times
A tour de force of black humor and imaginary erudition, Nazi Literature in the Americas presents itself as a biographical dictionary of writers who espoused extreme right-wing ideologies in the twentieth and twenty-first centuries.
Comprising short biographies about imaginary writers from Argentina, Brazil, Chile, Cuba, Columbia, Peru, Uruguay, Venezuela, and the United States, Nazi Literature in the Americas includes descriptions of the writers’ works, cross-references, a bibliography, and also an “Epilogue for Monsters.” All the writers are carefully and credibly situated in real literary worlds. There are fourteen thematic sections with titles such as “Forerunners and Figures of the Anti-Enlightenment,” “Magicians, Mercenaries, and Miserable Individuals,” and “North American Poets.”
Brisk and pseudoacademic, Nazi Literature in the Americas delicately balances irony and pathos. Bolaño does not simply use his writers for target practice: in the space of a few pages he manages to sketch character portraits that are often pathetically funny, sometimes surprisingly moving, and, on occasion, authentically chilling. A remarkably inventive, funny, and disquieting sui generis novel, Nazi Literature in the Americas offers a clear view into the workings of one of the most extraordinarily fecund literary imaginations of our time.
“A wicked, invented encyclopedia of imaginary fascist writers and literary tastemakers, is Bolaño playing with sharp, twisting knives. As if he were Borges’s wisecracking, sardonic son, Bolaño has meticulously created a tightly woven network of far-right litterateurs and purveyors of belles lettres for whom Hitler was beauty, truth and great lost hope. Cross-referenced, complete with bibliography and a biographical list of secondary figures, Nazi Literature is composed of a series of sketches, the compressed life stories of writers in North and South America who never existed, but all too easily could have. Goose-stepping caricatures a la ‘The Producers’ they are not; instead, they are frighteningly subtle, poignant and plausible.” New York Times
“Imaginative, full of a love for literature, and, unlikely as it may seem, exceptionally entertaining…Playing a tricky game, carefully balancing mockery and black humor against our natural sense of revulsion…Roberto Bolaño is worth discovering, worth reading—and even worth all the trouble of having to explain why it is that you are toting around a book called Nazi Literature in the Americas." Washington Post
“Award-winning translator Chris Andrews gives us…proof that Bolaño is…one of the most important literary figures of twenty-five years.” Nectar Magazine
“This book, brilliantly and rambunctiously written, is a denunciation of homegrown fascism.” Forward
“Masterfully executed…Wildly funny…[A] wickedly entertaining and evocative masterwork.” Jewish Exponent
| Language | English |
|---|---|
| Release Day | Jul 12, 2017 |
| Release Date | July 13, 2017 |
| Release Date Machine | 1499904000 |
| Imprint | Blackstone Publishing |
| Provider | Blackstone Publishing |
| Categories | Literature & Fiction, Genre Fiction, Literary Fiction, Fiction - All, Fiction - Adult |
Roberto Bolaño (1953–2003) was born in Santiago, Chile, and later lived in Mexico, France, and Spain. He has been acclaimed by the Los Angeles Times as “by far the most exciting writer to come from south of the Rio Grande in a long time” and as “the real thing and the rarest” by Susan Sontag. Among his many prizes are the prestigious Premio Herralde de Novela and the Premio Rómulo Gallegos. Bolaño is widely considered the greatest Latin American writer of his generation. He wrote nine novels, two story collections, and five books of poetry before his death at the age of fifty.
Jonathan Davis has been inducted into the Audible Narrator Hall of Fame. A three-time recipient and fourteen-time nominee of the Audie Award, he has earned accolades for his narration from the New York Times, Publishers Weekly, the American Library Association, Booklist, the Audio Publishers Association, AudioFile magazine, and USA Today. He has narrated a variety of bestsellers and award-winners for top publishing houses. He also narrated over forty titles of the Star Wars franchise for Lucasfilm Ltd./PRH Audio, including several iconic movie tie-ins, has participated with Star Wars Celebration, and has built a significant fan base. His work as a narrator includes films and programming for National Geographic Television, NOVA, PBS, VH1, and Francis Ford Coppola. He grew up in Puerto Rico and speaks Spanish, Portuguese, and Hebrew.
Overview
A tour de force of black humor and imaginary erudition, Nazi Literature in the Americas presents itself as a biographical dictionary of writers who espoused extreme right-wing ideologies in the twentieth and twenty-first centuries.
Comprising short biographies about imaginary writers from Argentina, Brazil, Chile, Cuba, Columbia, Peru, Uruguay, Venezuela, and the United States, Nazi Literature in the Americas includes descriptions of the writers’ works, cross-references, a bibliography, and also an “Epilogue for Monsters.” All the writers are carefully and credibly situated in real literary worlds. There are fourteen thematic sections with titles such as “Forerunners and Figures of the Anti-Enlightenment,” “Magicians, Mercenaries, and Miserable Individuals,” and “North American Poets.”
Brisk and pseudoacademic, Nazi Literature in the Americas delicately balances irony and pathos. Bolaño does not simply use his writers for target practice: in the space of a few pages he manages to sketch character portraits that are often pathetically funny, sometimes surprisingly moving, and, on occasion, authentically chilling. A remarkably inventive, funny, and disquieting sui generis novel, Nazi Literature in the Americas offers a clear view into the workings of one of the most extraordinarily fecund literary imaginations of our time.