Narrator

Adenrele Ojo

Adenrele Ojo
  • This groundbreaking multicultural anthology shares moving personal stories about the impacts of Alzheimer’s and dementia.

    An estimated 5.7 million Americans are afflicted by Alzheimer’s disease, including ten percent of those over sixty-five, and it is the sixth leading cause of death. But its effects are more pervasive: For the nearly six million sufferers, there are more than sixteen million family caregivers and many more family members. Alzheimer’s wreaks havoc not only on brain cells—it is a disease of the spirit and heart for not only those who suffer from it, but also for their families.

    This groundbreaking anthology presents forty narratives, both nonfiction and fiction, that together capture the impact and complexity of Alzheimer’s and other dementias on patients, as well as their caregivers and family. Deeply personal, recounting the wrenching course of a disease that kills a loved one twice—first they forget who they are, and then the body succumbs—these stories also show how witnessing the disease and caring for someone with it can be powerfully transformative, calling forth amazing strength and grace.

  • Following her National Book Award–nominated debut novel, A Kind of Freedom, Margaret Wilkerson Sexton returns with this equally elegant and historically inspired story of survivors and healers, of black women and their black sons, set in the American South.

    In 1925, Josephine is the proud owner of a thriving farm. As a child, she channeled otherworldly power to free herself from slavery. Now, her new neighbor, a white woman named Charlotte, seeks her company, and an uneasy friendship grows between them. But Charlotte has also sought solace in the Ku Klux Klan, a relationship that jeopardizes Josephine’s family.

    Nearly one hundred years later, Josephine’s descendant, Ava, is a single mother who has just lost her job. She moves in with her white grandmother Martha, a wealthy but lonely woman who pays her grandchild to be her companion. But Martha’s behavior soon becomes erratic, then even threatening, and Ava must escape before her story and Josephine’s converge.

    The Revisioners explores the depths of women’s relationships―powerful women and marginalized women, healers and survivors. It is a novel about the bonds between a mother and a child, and the dangers that upend those bonds. At its core, The Revisioners ponders generational legacies, the endurance of hope, and the undying promise of freedom.

  • “I’m here to take you to live with your father. In Tokyo, Japan! Happy birthday!”

    In the Land of the Rising Sun, where high culture meets high kitsch, and fashion and technology are at the forefront of the First World’s future, the foreign-born teen elite attend ICS—the International Collegiate School of Tokyo. Their accents are fluid. Their homes are ridiculously posh. Their sports games often involve a (private) plane trip to another country. They miss school because of jet lag and visa issues. When they get in trouble, they seek diplomatic immunity.

    Enter foster-kid-out-of-water Elle Zoellner, who, on her sixteenth birthday discovers that her long-lost father, Kenji Takahara, is actually a Japanese hotel mogul and wants her to come live with him. Um, yes, please! Elle jets off first class from Washington, DC, to Tokyo, which seems like a dream come true. Until she meets her enigmatic father, her way-too-fab aunt, and her hypercritical grandmother, who seems to wish Elle didn’t exist. In an effort to please her new family, Elle falls in with the Ex-Brats, a troupe of übercool international kids who spend money like it’s air. But when she starts to crush on a boy named Ryuu, who’s frozen out by the Brats and despised by her new family, her already tenuous living situation just might implode.

    My Almost Flawless Tokyo Dream Life is about learning what it is to be a family, and finding the inner strength to be yourself, even in the most extreme circumstances.

  • We, the Jury has what most legal thrillers lack—total authenticity, which is spellbinding.” —James Patterson

    On the day before his twenty-first wedding anniversary, David Sullinger buried an ax in his wife’s skull. Now, eight jurors must retire to the deliberation room and decide whether David committed premeditated murder—or whether he was a battered spouse who killed his wife in self-defense.

    Told from the perspective of over a dozen participants in a murder trial, We, the Jury examines how public perception can mask the ghastliest nightmares. As the jurors stagger toward a verdict, they must sift through contradictory testimony from the Sullingers’ children, who disagree on which parent was Satan; sort out conflicting allegations of severe physical abuse, adultery, and incest; and overcome personal animosities and biases that threaten a fair and just verdict. Ultimately, the central figures in We, the Jury must navigate the blurred boundaries between bias and objectivity, fiction and truth.

  • One of our most gifted writers of fiction returns with a bold and piercing novel about a young single mother living in New York, her eccentric aunt, and the decisions they make that have unexpected implications for the world around them.

    Reyna knows her relationship with Boyd isn’t perfect; yet she sees him through a three-month stint at Riker’s Island, their bond growing tighter. Kiki, now settled in the East Village after a youth that took her to Turkey and other far-off places—and loves—around the world, admires her niece’s spirit but worries that motherhood to four-year-old Oliver might complicate a difficult situation. Little does she know that Boyd is pulling Reyna into a smuggling scheme across state lines, violating his probation. When Reyna takes a step back, her small act of resistance sets into motion a tapestry of events that affect the lives of loved ones and strangers around them.

    A novel that examines conviction, connection, repayment, and the possibility of generosity in the face of loss, Improvement is as intricately woven together as Kiki’s beloved Turkish rugs, as colorful as the tattoos decorating Reyna’s body, with narrative twists and turns as surprising and unexpected as the lives all around us.

  • Evelyn is a Creole woman who comes of age in New Orleans at the height of World War II. Her family inhabits the upper echelon of black society, and when she falls for no-name Renard, she is forced to choose between her life of privilege and the man she loves.

    In 1982, Evelyn’s daughter Jackie is a frazzled single mother grappling with her absent husband’s drug addiction. Just as she comes to terms with his abandoning the family, he returns, ready to resume their old life. Jackie must decide if the promise of her husband is worth the near certainty that he will leave again.

    Jackie’s son T. C. loves the creative process of growing marijuana more than the weed itself. He finds something hypnotic about training the seedlings, testing the levels, trimming the leaves, and drying the buds. He was a square before Hurricane Katrina, but the New Orleans he knew didn’t survive the storm, and in its wake he was changed too. Now, fresh out of a four-month stint for possession with the intent to distribute, he decides to start over―until an old friend convinces him to stake his new beginning on one last deal.

    For Evelyn, Jim Crow is an ongoing reality, and in its wake new threats spring up to haunt her descendants. A Kind of Freedom is an urgent novel that explores the legacy of racial disparity in the South through a poignant and redemptive family history.

  • In 1968, the world experienced a brand-new kind of terror with the debut of George A. Romero’s landmark movie Night of the Living Dead. The newly dead rose to attack the living. Not as vampires or werewolves. This was something new—and terrifying. Since then, zombies have invaded every aspect of popular culture.

    But it all started on that dreadful night in a remote farmhouse. Nights of the Living Dead returns to that night, to the outbreak, to where it all began. New York Times bestselling author Jonathan Maberry teams with the godfather of the living dead himself, George A. Romero, to present a collection of all-new tales set during the forty-eight hours of that legendary outbreak.

    Nights of the Living Dead includes stories by some of today’s most important writers: Brian Keene, Carrie Ryan, Chuck Wendig, Craig E. Engler, David J. Schow, David Wellington, Isaac Marion, Jay Bonansinga, Joe R. Lansdale, John A. Russo, John Skipp, Keith R. A. DeCandido, Max Brallier, Mike Carey, Mira Grant, Neal and Brendan Shusterman, and Ryan Brown. Plus original stories by Romero and Maberry!

    For anyone who loves scary stories, take a bite out of this!

  • Brand-new stories by: Nick Petrulakis, Kim Addonizio, Keenan Norris, Keri Miki-Lani Schroeder, Katie Gilmartin, Dorothy Lazard, Harry Louis Williams II, Carolyn Alexander, Phil Canalin, Judy Juanita, Jamie DeWolf, Nayomi Munaweera, Mahmud Rahman, Tom McElravey, Joe Loya, and Eddie Muller.

    In the wake of San Francisco Noir, Los Angeles Noir, and Orange County Noir—all popular volumes in the Akashic Noir Series—comes the latest California installment, Oakland Noir. Masterfully curated by Jerry Thompson and Eddie Muller, the “Czar of Noir,” this volume will shock, titillate, provoke, and entertain. The diverse cast of talented contributors will not disappoint.

    From the introduction:

    Jerry Thompson: “Discovering the wang-dang-doodle jams of the Pointer Sisters shifted my entire focus. Stunning black women were scatting and bebopping all the way into my soul. I think what we’ve put together in Oakland Noir is a volume where this city is a character in every story. He’s a slick brother strutting over a bacon-grease bass line and tambourine duet. She’s a white chick with a bucket of hot muffins heading to farmer and flea markets, to sell crafts and get hooked up with some fine kat with dreadlocks and a criminal record. And it’s in the faces of young fearless muthafuckers pounding keyboards and snapping fingers, lips, Snapchats, and Facebook timelines. It’s the core of not only Black Lives Matter but all lives matter. We are the children of fantasy and of the funk.”

    Eddie Muller: “These days, writers and readers aren’t denying the darker parts of our existence as much as they used to, especially in crime fiction. Some writers just do it for fun because it’s become the fashionable way to get published. You know, ‘gritty violence’ and all that bullshit. The genuine darkness in noir stories comes from two places—the cruelty of the world’s innate indifference and the cruelty that people foster within themselves. If you’re not seriously dealing with one, the other, or both, then you’re not really writing noir.”

  • In Mississippi Noir, literary crime fiction master Tom Franklin has assembled a phenomenal short-story collection that highlights a mesmerizing and diverse set of styles and subject matter. Urban, suburban, and rural settings alike unveil new shades of darkness that fall upon Mississippi’s past and present.

    Mississippi Noir features brand-new stories by Ace Atkins, William Boyle, Megan Abbott, Jack Pendarvis, Dominiqua Dickey, Michael Kardos, Jamie Paige, Jimmy Cajoleas, Chris Offutt, Michael Farris Smith, Andrew Paul, Lee Durkee, Robert Busby, John M. Floyd, RaShell R. Smith-Spears, and Mary Miller.

  • Edited by the bestselling author of The Ice Harvest, St. Louis Noir thickens the Midwest quotient for the Akashic Noir series.

    Akashic Books continues its groundbreaking series of original noir anthologies. Each story is set in a distinct neighborhood or location within the city of the book.

    In the wake of Chicago Noir, Twin Cities Noir, and Kansas City Noir—all popular volumes in the Akashic Noir Series—comes the latest Midwest installment, St. Louis Noir. Masterfully curated by Scott Phillips, author of The Ice Harvest (adapted for film, starring John Cusack and Billy Bob Thornton), this volume will chill the listener with heartland menace.

    Featuring brand new stories by Calvin Wilson, LaVelle Wilkins-Chinn, John Lutz, Paul D. Marks, Colleen J. McElroy, Jason Makansi, S. L. Coney, Michael Castro, Laura Benedict, Jedidiah Ayres, Umar Lee, Chris Barsanti, L. J. Smith, and Scott Phillips.