Narrator

Michael Deehy

Michael Deehy
  • When Scotland Yard superintendent Duncan Kincaid takes Gemma, Kit, and Toby for a holiday visit to his family in Cheshire, Gemma is soon entranced with Nantwich’s pretty buildings and the historic winding canal, and young Kit is instantly smitten with his cousin Lally.

    But their visit is marred by family tensions exacerbated by the unraveling of Duncan’s sister Juliet’s marriage. And tensions are brought to the breaking point on Christmas Eve with Juliet’s discovery of a mummified infant’s body interred in the wall of an old dairy barn—a tragedy hauntingly echoed by the recent drowning of Peter Llewellyn, a schoolmate of Lally’s.

    Meanwhile, on her narrowboat, former social worker Annie Lebow is living a life of self-imposed isolation and preparing for a lonely Christmas, made more troubling by her meeting earlier in the day with the Wains, a traditional boating family whose case precipitated Annie’s leaving her job.

    As the police make their inquiries into the infant’s death, Kincaid discovers that life in the lovely market town of his childhood is far from idyllic and that the dreaming reaches of the Shropshire Union Canal hold dark and deadly secrets … secrets that may threaten everything and everyone he holds most dear.

  • A week’s holiday in a luxurious hotel is just what Scotland Yard’s Superintendent Duncan Kincaid needs. But his vacation ends dramatically with the discovery of a dead body in the whirlpool bath.

    Despite a suspicious lack of cooperation from the local constabulary, Kincaid’s keen sense of duty won’t allow him to ignore the heinous crime, impelling him to send for his enthusiastic young assistant, Sergeant Gemma James. But the stakes are raised significantly when a second murder occurs, and Kincaid and James find themselves locked in a determined hunt for a fiendish felon looking for fresh blood.

  • Seems impossible, but Jack Taylor is sober—off booze, pills, powder, and nearly off cigarettes, too. The main reason he’s been able to keep clean: his dealer’s in jail, which leaves Jack without a source. When that dealer calls him to Dublin and asks a favor in the soiled, sordid visiting room of Mountjoy Prison, Jack wants to tell him to take a flying leap. But he doesn’t—can’t, because the dealer’s sister is dead, and the guards have called it “death by misadventure.”

    The dealer knows that can’t be true and begs Jack to have a look, check around, see what he can find out. It’s exactly what Jack does, with varying levels of success, to make a living. But he’s reluctant, maybe because of who’s asking or maybe because of the bad feeling growing in his gut.

    Never one to give in to bad feelings or common sense, Jack agrees to the favor, though he can’t possibly know the shocking, deadly consequences he has set in motion. But he and everyone he holds dear will find out soon, sooner than anyone knows, in the lean and lethal fourth entry in Ken Bruen’s award-winning Jack Taylor series.

  • Gemma James is adjusting to professional and personal changes—and a future now intricately entwined with Duncan Kincaid. But her new responsibilities are put to the test when she is placed in charge of a particularly brutal homicide: The lovely young wife of a wealthy antiques dealer has been found murdered on fashionable Notting Hill.

    The main focus of Gemma’s investigation is Karl Arrowood, who had the most powerful motive for killing his unfaithful wife. But this case sets off warning bells for Duncan: It’s far too similar to a recent unsolved murder in which an another person was killed in precisely the same way.

    And when the escalating violence claims yet another victim, he and Gemma find themselves at increasing odds with each other—as two separate investigations become linked in the most startling of ways. Their hunt for a killer will traverse the teeming stalls of the city’s antiques markets to a decades-in-the-making vendetta of history and hatred that has been honed to a flawless, deadly point. To solve this case, Gemma and Duncan must walk a merciless razor’s edge through a place where true justice will be a long time coming.

  • Scotland Yard Superintendent Duncan Kincaid and Sergeant Gemma James are sent to suburban Surrey to investigate the murder of a high-ranking police officer. Alastair Gilbert was bludgeoned to death in his kitchen, and the list of potential suspects is long. The man's arrogance earned him widespread enmity both in the village where he lived and in police circles. But Duncan and Gemma must put aside their personal feelings—for the victim, as well as for each other—to solve the most troubling case either has faced.

  • When a body is discovered floating in a Thames river lock one dreary morning, Superintendent Duncan Kincaid and Sergeant Gemma James are summoned from Scotland Yard to Chiltern Hills. The dead man is Connor Swann, son-in-law of two of London’s most renowned opera personalities. And prints on the corpse’s neck suggest that Swann was strangled. As Duncan and Gemma explore the quiet woods above the Thames and the flamboyant world of London opera in search of answers, they discover a tangled web of family secrets and hidden emotions. And when Duncan finds himself dangerously drawn to a suspect, he and Gemma must sort out their complicated feelings for each other.

  • Perhaps it is a blessing when Jasmine Dent dies in her sleep—at last an end has come to the suffering of a body horribly ravaged by disease. It may well have been suicide; she had certainly expressed her willingness to speed the inevitable. But small inconsistencies lead her neighbor, Superintendent Duncan Kincaid, to a startling conclusion: Dent was murdered. But if not for mercy, why would someone destroy a life already doomed? 

    As Kincaid and his appealing assistant Sergeant Gemma James sift through the dead woman's strange history, a troubling puzzle emerges: a bizarre amalgam of charity and crime—and of the blinding passions that can drive the human animal to perform cruel and inhuman acts.

  • A crime of passion strikes close to home when Gemma and her best friend, Hazel Cavendish, travel to Scotland, a land of mists and fine whiskey, of hidden pasts and dangerous secrets, or so Gemma discovers when an unexpected meeting with Hazel's old flame yields shocking—and mortal—consequences.

    Hazel is the logical suspect, but Gemma knows nothing is simple in this place of secrets and long-seething hatreds. As even more damning evidence piles up against the friend Gemma never truly knew, the investigation takes a darker, more sinister turn. Gemma knows she will need assistance to unravel this bloody knot. And so she calls the one man she can trust, Duncan Kincaid, to join her far from home and in harm's way.

  • Superintendent Duncan Kincaid is called to investigate the shocking death of a woman found burned beyond recognition in a Victorian warehouse in south London. When his lover and partner, Gemma James, is asked to trace a friend's missing roommate, she and Duncan discover that their cases have several disturbing links.

    Set against a backdrop of Dickensian Southwark, repository of old secrets, the case plunges Duncan and Gemma into the dark recesses of human relationships. Two women are missing, a little girl is abducted, and no one is really what they seem. The detectives must discover the truth, as innocent lives hang in the balance.