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Henry James

Henry James

  • The most spine-tingling suspense stories from the colonial era—including Washington Irving, Nathaniel Hawthorne, James Fenimore Cooper, Edgar Allan Poe, Henry James, and H. P. Lovecraft, and many more

    This stunning anthology of classic colonial suspense fiction plunges deep into the native soil from which American horror literature first sprang. While European writers of the Gothic and bizarre evoked ruined castles and crumbling abbeys, their American counterparts looked back to the colonial era’s stifling religion, and its dark and threatening woods.

    Today the best-known tale of colonial horror is Washington Irving’s The Legend of Sleepy Hollow, although Irving’s story is probably best known today from various movie versions it has inspired. Colonial horror tales of other prominent American authors—Nathaniel Hawthorne and James Fenimore Cooper among them—are overshadowed by their bestsellers, and are difficult to find in modern libraries. Many other pioneers of American horror fiction are presented afresh in this breathtaking volume for today’s public readers.

    Some will have heard the names of Increase and Cotton Mather in association with the Salem witch trials, but will not have sought out their contemporary accounts of what were viewed as supernatural events. By bringing these writers to the attention of the contemporary readers, this collection will help bring their names—and their work—back from the dead.

  • When impoverished American sculptor Roderick Hudson creates what is described as a work of genius, he is sent to Rome, where he becomes the talk of the city. But Roderick soon loses his inspiration and falls in love with a woman he’ll never be with. Now on a path to self-destruction, can he be saved from himself?

    One of Henry James’ first novels, Roderick Hudson is a compelling depiction of an artist whose inflated ambition and temperament gets the better of him.

  • After her parents' bitter divorce, young Maisie Farange finds herself shuttled between her selfish mother and vain father, who value her only as a means for provoking each other. And when both take lovers and remarry, Maisie—solitary, observant, and wise beyond her years—is drawn into an increasingly entangled adult world of intrigue and sexual betrayal, until she is finally compelled to choose her own future.

  • In this classic tale of the death of childhood, there is a savage comedy that owes much to Dickens. But for his portrayal of the child’s capacity for intelligent wonder, James summons all the subtlety he devotes elsewhere to his most celebrated adult protagonists.

    In the aftermath of an acrimonious divorce, young Maisie Farange finds herself shuttled back and forth between her father and mother and their new spouses, all of whom are monstrously self-involved. Neglected and exploited by everyone around her, Maisie herself becomes a pretext for sexual intrigue when her stepparents become attracted to each other. As Maisie opens her young eyes on this distinctly modern world, the death of her childhood provides Henry James with a vehicle for scathing social satire.

  • Eugenia, an American expatriate brought up in Europe, arrives in rural New England with her charming brother Felix, hoping to find a wealthy second husband after the collapse of her marriage to a German prince.

    Their exotic, sophisticated airs cause quite a stir with their affluent, God-fearing American cousins, the Wentworths—and provoke the disapproval of their uncle, suspicious of foreign influences. To Gertrude Wentworth, struggling against her somber puritan upbringing, the arrival of the handsome Felix is especially enchanting.

  • Set in a crumbling Venetian villa, The Aspern Papers is a story about the heart’s romantic ambitions and the pragmatic methods we use to pursue them. An American editor arrives in Venice on a quest to acquire some unpublished letters written by his favorite Romantic poet, Jeffrey Aspern. He tracks down the mistress to whom the letters were addressed, a now elderly Miss Bordereau, and presents himself as a prospective lodger. In hopes of gaining access to the secret papers, he begins courting Miss Bordereau’s plain spinster niece, Miss Tina. As his obsessive mission leads him into increasingly unscrupulous behavior, he finds that his desire can be obtained only at the price of his honor. Written with taut suspense and brilliant insight into complex human motivations, The Aspern Papers is one of Henry James’ most acclaimed stories.

  • One of the world’s most famous intellectual ghost stories, The Turn of the Screw is a haunting tale of suspected supernatural possession. A governess at a country house claims that Miles and Flora, two orphaned children in her care, are being controlled by spirits for some evil purpose. No one else can see the ghosts, and the children themselves are silent. Are they being dominated by spectral forces, or are they hiding something? Is the governess simply paranoid, or is something else going on? With its ambiguous content and powerful narrative technique, the story challenges the listener to determine whether the unnamed governess is a reliable witness or a neurotic with an overheated imagination.

  • “What the European male fails to understand is that the American Girl is innocent by definition, mythically innocent; and that her purity depends upon nothing she says or does…”—Leslie Fiedler

    When Frederick, an American expatriate traveling in Europe, meets the newly rich Miller family from New York, he is charmed by the daughter, Daisy, and her “inscrutable combination of audacity and innocence.” The Millers have no perception of the complex behavioral code that underlies European society, and Winterbourne is astonished at the girl’s unworldliness and her mother’s unconcern when Daisy accompanies him to the Castle of Chillon. Some months later, he meets the family in Rome, where Daisy has aroused suspicion among the American colony by being seen constantly with a third-rate Italian. Ostracized by former friends who think her “intrigue” has gone too far, Daisy denies that she is engaged to Giovanelli. Publicly, Winterbourne defends her as simply uncultivated, but privately, he hesitates.

  • It’s midnight. Turn out the lights, cuddle with your true love, and shiver to fright-meisters Edgar Allan Poe, Robert Louis Stevenson, and H. P. Lovecraft.

    Quicken your pulse with the elegant terror of Henry James, Edith Wharton, and Guy de Maupassant. Chortle at the black glee of H. H. Munro and Ambrose Bierce.

    These fourteen tales, plays, and poems, gleaned from cultures around the world, range from wickedly comic to deathly serious, from New England reserve to Gallic passion. This volume of late-night listening is a witch’s brew of readings and dramatizations seasoned tastefully, and—where appropriate—not so tastefully, with music and sound effects, under the direction of award-winning producer Yuri Rasovsky and his coven of twenty-odd—some very odd—performers.

    Shut your eyes and give your mind a listen—if you dare.

  • On New York City’s Washington Square lives Catherine Sloper, a shy and plain young woman who is tyrannized by her wealthy, overbearing father. When young Morris Townsend begins to court her, Dr. Sloper distrusts his motives, believing that the young man could not possibly love his daughter. Both lovers are obstinate in their affections; but when Dr. Sloper threatens to disinherit Catherine, Townsend disappears, leaving Catherine to humiliation, heartache, and lonely spinsterhood. Years later, after her father’s death, Townsend returns, and Catherine must make up her own mind about his intentions.

  • Henry James' classic morality tale tells of a triangle of friends and lovers doomed to treachery by overreaching desire.

    In early-twentieth-century London, Kate Croy is secretly engaged to Merton Denscher, a journalist possessed of all the qualities of an ideal husband except for money. By chance, Kate befriends American heiress Milly Theale, who is suffering from a mysterious and fatal illness. Kate, who truly cares for Milly, devises a scheme to maximize their combined assets: she encourages Merton to take an interest in Milly, to seduce her, and finally, to marry her. By lending her lover to brighten Milly's few remaining days, Kate intends to make him a rich widower whom she herself can marry. But such well laid plans are not enough for the subtlety of the heart.

    This is a brilliant and sophisticated satire of manners and morals in the best Jamesian tradition.

  • Beautiful, spirited Isabel Archer, an American heiress newly arrived in Europe, is widely expected to quickly marry. But Isabel does not look to a man to furnish her with destiny; instead she desires, with grace and courage, to find it herself. Two eligible suitors are refused in favor of her pursuit of glorious independence. But then, Isabel becomes utterly captivated by the languid charms of the cunning Gilbert Osmond. To him, she represents a superior prize to be won; through him, she faces a tragic choice.

    A subtle and poignant psychological novel of love and betrayal, The Portrait of a Lady is widely considered to be James' masterpiece. F.R. Leavis declared that "we can't ask for a finer exhibition of James' peculiar gifts."

  • During a trip to Europe, wealthy American businessman Christopher Newman proposes marriage to the scintillating and beautiful aristocrat Claire de Cintri. To his dismay, he comes up against the machinations of her impoverished but proud family, who find Newman to be a vulgar example of the American privileged class. Brilliantly combining elements of comedy, tragedy, romance, and melodrama, this tale of thwarted desire vividly contrasts nineteenth-century American and European manners.