Narrator

Thom Rivera

Thom Rivera
  • Dr. Amy Winslow tells the story: in foggy, nighttime San Francisco a jogging SFPD captain is savagely attacked by a Bengal tiger which then vanishes. In her ER, Amy labors unsuccessfully to save the captain’s life, then consoles his aggrieved closest friend, Lt. Luis Ortega. Neither suspects their lives will intertwine in a life-or-death mystery.

    The next day, checking on former patient Mrs. Hudson at her Victorian house isolated in Marin County’s forest, Amy discovers in the cellar a secret, cobweb-covered 1899 electrochemical laboratory containing a Jules Verne–esque steam-punk sarcophagus out of which springs a wild-eyed, half-mummified, crypt-keeper-like man who injects himself with something before falling dead at her feet. Amy barely revives him.

    He claims to be a real-life Victorian master chemist and detective named Holmes, who allowed Conan Doyle to write stories based on his cases, though was slightly annoyed when Doyle changed his real first name to the catchier Sherlock. Becoming uninspired by 1890s crime, Holmes devised this method to hibernate for a century to investigate future mysteries.

    Amy assumes he’s a lunatic. His Scotland Yard identity papers were stolen while he slept, so it takes her a while to realize his amazing story is true.

    Respectably handsome when cleaned up, Holmes is still the same brash, egoistic, über-English, cocaine-addicted, non-feminist genius—but now a century out of sync—so his still-brilliant deductions are sometimes laughably or dangerously wrong. Holmes and Amy, his reluctant new Watson, find themselves unexpectedly attracted to each other while perilously involved in reclaiming his proof of identity, aided by cyber-savvy street teen Zapper. It’s all connected to the horrific death-by-tiger, only the first of several bizarre, mystifying murders being committed by an exquisitely fiendish descendant of Holmes’ Victorian archenemy, Professor Moriarty.

    The tone is classic Holmes—plus a refreshing twist of fish-out-of-water humor with a surprising spark of real romance.

  • In Nebula Award–winning author Sam J. Miller’s devastating debut short-fiction collection—featuring an introduction by Amal El-Mohtar—queer infatuation, inevitable heartbreak, and brutal revenge seamlessly intertwine. Whether innocent, guilty, or not even human, the boys, beasts, and men roaming through Miller’s gorgeously crafted worlds can destroy listeners, yet leave them wanting more.

    Despite his ability to control the ambient digital cloud, a foster teen falls for a clever con-man. Luring bullies to a quarry, a boy takes clearly enumerated revenge through unnatural powers of suggestion. In the aftermath of a shapeshifting alien invasion, a survivor fears that he brought something out of the Arctic to infect the rest of the world. A rebellious group of queer artists create a new identity that transcends even the anonymity of death.

    Sam J. Miller shows his savage wit, unrelenting candor, and lush imagery in this essential career retrospective collection, taking his place alongside legends of the short-fiction form such as Carmen Maria Machado, Carson McCullers, and Jeff VanderMeer.

  • A masterful debut that weaves together the lives of three generations of a Mexican American family bound by love—and a curse.

    The tight-knit Izquierdo family is grappling with misfortunes none of them can explain. Their beloved patriarch has suffered from an emotional collapse and is dying; eldest son Gonzalo’s marriage is falling apart; daughter Dina, beleaguered by the fear that her nightmares are real, is a shut-in.

    When Gonzalo digs up a strange object in the backyard of the family home, the Izquierdos take it as proof that a jealous neighbor has cursed them—could this be the reason for all their troubles? As the Izquierdos face a distressing present and an uncertain future, they are sustained by the blood that binds them, a divine presence, and an abiding love for one another.

    Told in a series of soulful voices brimming with warmth and humor, The Family Izquierdo is a tender narrative of a family at a turning point.

  • Don Sebastian Valdivia and his secretary, Juan Carreño, attend a horse auction at the Garrison Ranch, where an outlaw stallion, Twilight, is held back until last. The only man who can ride this magnificent beast is Charles Dupont, known as the Crisco Kid, who has bonded with the horse since he was a colt.

    Because gunman Bud Carew despises the Kid, he desperately wants to possess Twilight. Those attending the auction know that no matter who wins, a gunfight is sure to follow. Just as it appears that Carew has won, Valdivia places his bid for $800. He is not bidding for a horse, but for a man.

    In a calculated move, Valdivia plays the Kid against Carew, and the Kid proves to be the better man. Valdivia offers Twilight to the Kid with two options—keep Twilight and remain in the Southwest, or accept employment with the don and accompany him back to his grand rancho in the Argentine, where Valdivia has a score to settle with the outlaw El Tigre. Even without the gift of Twilight, the Kid would be willing to make the effort. With Twilight, he does not imagine there is any way he could possibly fail.

  • A deathbed confession revolving around Opus Dei and Pinochet, By Night in Chile pours out the self-justifying dark memories of the Jesuit priest Father Urrutia.

    As through a crack in the wall, By Night in Chile’s single night-long rant provides a terrifying, clandestine view of the strange bedfellows of church and state in Chile. This wild, eerily compact novel—Roberto Bolaño’s first work available in English—recounts the tale of a poor boy who wanted to be a poet but ends up a half-hearted Jesuit priest and conservative literary critic, a sort of lapdog to the rich and powerful cultural elite, in whose villas he encounters Pablo Neruda and Ernst Jünger. Father Urrutia is offered a tour of Europe by agents of Opus Dei to study “the disintegration of the churches”—a journey into realms of the surreal—and, ensnared by this plum, he is next assigned, after the destruction of Allende, the secret never-to-be-disclosed job of teaching Pinochet, at night, all about Marxism, so the junta generals can know their enemy. Soon, searingly, his memories go from bad to worse.

    Heart-stopping and hypnotic, By Night in Chile marked the American debut of an astonishing writer.

  • Brand-new stories by: Nick Petrulakis, Kim Addonizio, Keenan Norris, Keri Miki-Lani Schroeder, Katie Gilmartin, Dorothy Lazard, Harry Louis Williams II, Carolyn Alexander, Phil Canalin, Judy Juanita, Jamie DeWolf, Nayomi Munaweera, Mahmud Rahman, Tom McElravey, Joe Loya, and Eddie Muller.

    In the wake of San Francisco Noir, Los Angeles Noir, and Orange County Noir—all popular volumes in the Akashic Noir Series—comes the latest California installment, Oakland Noir. Masterfully curated by Jerry Thompson and Eddie Muller, the “Czar of Noir,” this volume will shock, titillate, provoke, and entertain. The diverse cast of talented contributors will not disappoint.

    From the introduction:

    Jerry Thompson: “Discovering the wang-dang-doodle jams of the Pointer Sisters shifted my entire focus. Stunning black women were scatting and bebopping all the way into my soul. I think what we’ve put together in Oakland Noir is a volume where this city is a character in every story. He’s a slick brother strutting over a bacon-grease bass line and tambourine duet. She’s a white chick with a bucket of hot muffins heading to farmer and flea markets, to sell crafts and get hooked up with some fine kat with dreadlocks and a criminal record. And it’s in the faces of young fearless muthafuckers pounding keyboards and snapping fingers, lips, Snapchats, and Facebook timelines. It’s the core of not only Black Lives Matter but all lives matter. We are the children of fantasy and of the funk.”

    Eddie Muller: “These days, writers and readers aren’t denying the darker parts of our existence as much as they used to, especially in crime fiction. Some writers just do it for fun because it’s become the fashionable way to get published. You know, ‘gritty violence’ and all that bullshit. The genuine darkness in noir stories comes from two places—the cruelty of the world’s innate indifference and the cruelty that people foster within themselves. If you’re not seriously dealing with one, the other, or both, then you’re not really writing noir.”

  • Bill Pronzini is crime-writing royalty. His more than eighty published novels have won or been nominated for Edgar, Hammett, Anthony, Shamus, and Macavity awards—a clean sweep of the crime fiction award field—and received rave reviews from critics. He crafts masterful stories, often from multiple perspectives, in which the human condition is on full display. The Violated is no exception.

    In Echo Park, in the small town of Santa Rita, California, the mutilated body of Martin Torrey is found by two passersby. A registered sex offender, Torrey has been a suspect in a string of recent rapes, and instant suspicion for his murder falls on the relatives and friends of the women attacked. Police chief Griffin Kells and detective Robert Ortiz are under increasing pressure from the public and from a mayor demanding results in a case that has no easy solution.

    Pronzini cleverly unfolds the case through alternating perspectives—Martin Torrey’s wife, caught between her grief and the fear her husband was guilty; the outraged husbands of the women violated; the enterprising editor of the local paper; the mayor concerned most with his own ratings; the detectives, often spinning in circles—until a surprising break leads to a completely unexpected conclusion. The Violated is Bill Pronzini at the height of his storytelling powers.

  • In this vivid and compelling novel, Tim Murphy follows a diverse set of characters whose fates intertwine in an iconic building in Manhattan’s East Village, the Christodora. The Christodora is home to Milly and Jared, a privileged young couple with artistic ambitions. Their neighbor, Hector, a Puerto Rican gay man who was once a celebrated AIDS activist but is now a lonely addict, becomes connected to Milly and Jared’s lives in ways none of them can anticipate. Meanwhile, Milly and Jared’s adopted son Mateo grows to see the opportunity for both self-realization and oblivion that New York offers.

    As the junkies and protesters of the 1980s give way to the hipsters of the 2000s and they, in turn, to the wealthy residents of the crowded, glass-towered city of the 2020s, enormous changes rock the personal lives of Milly and Jared and the constellation of people around them.

    Moving kaleidoscopically from the Tompkins Square Riots and attempts by activists to galvanize a true response to the AIDS epidemic, to the New York City of the future, Christodora recounts the heartbreak wrought by AIDS, illustrates the allure and destructive power of hard drugs, and brings to life the ever-changing city itself.

  • The story of “Highway” Sánchez—bon vivant, world traveler, auctioneer—and his teeth is like Johnny Cash meets Robert Walser in Mexico.

    “I was born in Pachuca, the Beautiful Windy City, with four premature teeth and my body completely covered in a very fine coat of fuzz. But I’m grateful for that inauspicious start because ugliness, as my other uncle, Eurípides López Sánchez, was given to saying, is character forming.”

    Gustavo “Highway” Sánchez Sánchez is a late-in-life world traveler, yarn spinner, collector, and legendary auctioneer. His most precious possessions are the teeth of the “notorious infamous,” like Plato, Petrarch, and Virginia Woolf.

    Written in collaboration with the workers at a Jumex juice factory, The Story of My Teeth is an elegant, witty, exhilarating romp through the industrial suburbs of Mexico City and Luiselli’s own literary influences.