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Sinclair Lewis

Sinclair Lewis

  • The Job is an early work by American novelist Sinclair Lewis. It is considered an early declaration of the rights of working women.

    Despite the traditional expectations of marriage placed on Una Golden in her small Pennsylvania town, she travels to New York to work due to a family illness. But once there, Una discovers a talent for the traditional male bastion of commercial real estate.

    However, while her company claims to value her work, Una struggles to achieve the same status of her male coworkers. Her unique role as a working woman, doing a man’s job, becomes a challenge in finding an appropriate suitor when Una decides it is time to marry after all, and an even greater challenge when she decides it may be time to end the marriage she eventually achieves. 

    First published in 1917 before Lewis achieved any significant fame, The Job is now seen as an early classic of a celebrated author, as well as a literary vanguard for its female lead character and its early declaration and examination of the rights of working women, issues still being grappled with a century later.

  • First published in 1935, when Americans were still largely oblivious to the rise of Hitler in Europe, this prescient novel tells a cautionary tale about the fragility of democracy and offers an alarming, eerily timeless look at how fascism could take hold in America.

    Doremus Jessup, a newspaper editor, is dismayed to find that many of the people he knows support presidential candidate Berzelius Windrip. The suspiciously fascist Windrip is offering to save the nation from sex, crime, welfare cheats, and a liberal press. But after Windrip wins the election, dissent soon becomes dangerous for Jessup. Windrip forcibly gains control of Congress and the Supreme Court and, with the aid of his personal paramilitary storm troopers, turns the United States into a totalitarian state.

  • In this sardonic portrait of the up-and-coming middle class during the prosperous 1920s, On the surface, everything is all right with Babbitt’s world of the solid, successful businessman. But in reality, George F. Babbitt is a lonely, middle-aged man. He doesn’t understand his family, has an unsuccessful attempt at an affair, and is almost financially ruined when he dares to voice sympathy for some striking workers. Babbitt finds that his only safety lies deep in the fold of those who play it safe. He is a man who has added a new word to our language: a “Babbitt,” meaning someone who conforms unthinkingly, a sheep.

  • Meet Sam Dodsworth, an amiable fifty-year-old millionaire and "American Captain of Industry, believing in the Republican Party, high tariffs and, so long as they did not annoy him personally, in Prohibition and the Episcopal Church." Dodsworth runs an auto manufacturing firm, but his beautiful wife, Fran, obsessed with the notion that she is growing old, persuades him to sell his interest in the company and take her to Europe. He agrees for the sake of their marriage, but before long, the pretensions of the cosmopolitan scene prove more enticing to Fran than her husband.

    Both a devastating, surprisingly contemporary portrait of a marriage falling apart and a grand tour of the Europe of a bygone era,Dodsworth is stamped with Sinclair Lewis' signature satire, wickedly observant of America's foibles, and great fun.

  • Elmer Gantry is the portrait of a silver-tongued evangelist who rises to power within his church, yet lives a life of hypocrisy, sensuality, and ruthless self-indulgence.

    The title character starts out as a greedy, shallow, philandering Baptist minister, turns to evangelism, and eventually becomes the leader of a large Methodist congregation. Throughout the novel, Gantry encounters fellow religious hypocrites. Although often exposed as a fraud, Gantry is never fully discredited.

    When Elmer Gantry was first published in 1927, it created a public furor. Now it is considered a landmark in American literature and one of the most penetrating studies of hypocrisy in modern literature. The novel also represents the evangelistic activity of America in the 1920s and people’s attitudes toward it.

  • When Carol Milford, a young, liberated woman from St. Paul, Minnesota, marries small-town doctor Will Kennicott, she suddenly finds herself transplanted to Gopher Prairie. Horrified by her new home, an ugly backwater community, she decides it's time the town made a few changes.

    The story of an idealistic young woman's frustrated attempts to change the set ways of her small town, Main Street has been hailed as one of the essential literary satires of the American scene. An allegory of exile and return, it attacks the complacency and ingrown mores of those who resist change and are under the illusion that they have chosen their tradition. The lonely predicament of Carol Kennicott, caught between her desires for social reform and individual happiness, reflects the position in which America's turn-of-the-century "emancipated woman" found herself. Sinclair Lewis' cutting portrait of the small-minded inhabitants of small-town America is rich with sociological insight that still resonates today.

  • Free Air takes one by automobile in search of America, heading toward a West brimming with possibilities for suddenly mobile Americans at the end of a world war. Clair Boltwood and her father drive their Gomez-Dep roadster from Minnesota to Seattle, braving all the perils of early motoring. But the greatest distance to be overcome is the social one between the upper-crust Claire and a traveling mechanic named Milt.

    First published in 1919, with fame just around the corner for Sinclair Lewis, Free Air foreshadowed a genre that includes John Steinbeck’s Travels with Charley and Josh Greenfield and Paul Mazursky’s Harry and Tonto. The character of Claire, blazing her own trail across the West, looks back to the nineteenth-century pioneer woman and ahead to the independent-minded movie heroines played by Katherine Hepburn.