Author

Fyodor Dostoevsky

Fyodor Dostoevsky
  • “I am a sick man … I am a spiteful man,” a nameless voice cries out. And so, from underground, emerge the passionate confessions of a suffering man; the painful self-examination of a tormented soul; the bristling scorn of a lonely individual who has become one of the greatest antiheroes in all literature.

    In 1864, just prior to the years in which he wrote his greatest novels—Crime and Punishment, The Idiot, The Possessed, and The Brothers Karamazov—Fyodor Dostoevsky penned the darkly fascinating Notes from Underground. Its nameless hero is a profoundly alienated individual in whose brooding self-analysis there is a search for the true and the good in a world of relative values and few absolutes. Moreover, the novel introduces themes—moral, religious, political, and social—that dominated Dostoevsky’s later works.

    Those who are familiar with his works will immediately recognize the novel’s richly complex philosophical, political, and psychological themes; those who are not will find the best introduction to Dostoevsky’s grander masterpieces.

  • Enjoy a timeless collection of classic Christmas tales, all available in one audiobook! Classic Christmas Tales by Famous Authors, Volume 1 includes:

    1. "The Royal Truffle Hunt" by Anthony Thorn
    2. "A Christmas Dream and How it Came True" by Louisa May Alcott
    3. "The Sabots of Little Wolff" by Fran├ºois Copp├®e
    4. "A Christmas Guest" by Selma Lagerlöf
    5. "Christmas Goblins" by Charles Dickens
    6. "At Christmas Time" by Anton Chekhov
    7. "The Heavenly Christmas Tree" by Fydor Dostoevsky
  • First published in 1846, Fyodor Dostoyevsky's novella The Double is a classic doppelganger and the second major work published by the author. It is the story of Yakov Petrovich Golyadkin, a government clerk who believes that a fellow clerk has taken over his identity and is determined to bring about his ruin. Considered the most Gogolesque of Dostoyevsky's works, the novella brilliantly depicts Golyadkin's descent into madness in a way that is hauntingly poetic. The Double illustrates Dostoyevsky's uncanny ability at capturing the complexity of human emotion, especially the darker side of the human psyche.

  • Art imitates life in this brilliant psychological study of a compulsive gambler, modeled on Dostoevsky's own tendencies. Like so many characters in Dostoevsky's novels, Alexei, a young tutor working in the household of an imperious Russian general, is trying to break through the wall of the established order and the human condition itself, but instead he is drawn into the vortex of the roulette wheel. His intense addiction is accentuated by his affair with the general's cruel, seductive niece.

    With unforgettable characterizations, this novel explores the emotional roller coaster, changing fortunes, tangled love affairs, and complicated lives of the fashionable German gambling set. It is also a stunning psychological portrait.

  • Loosely based on sensational press reports of a Moscow student’s murder by fellow revolutionists, The Possessed depicts the destructive chaos caused by outside agitators who move into a provincial town. The enigmatic and ideological Stavrogin dominates the novel, his magnetic personality influencing his tutor, the liberal intellectual poseur Stepan Verhovensky, and the teacher’s revolutionary son Pyotr, as well as other radicals. Stavrogin is portrayed as a man of strength without direction, capable of goodness and nobility. When he loses his faith in God, however, he is seized by brutal desires he does not fully understand.

    Widely considered the greatest political novel ever written, The Possessed showcases Dostoevsky’s brilliant characterization, amazing insight into the human heart, and crushing criticism of the desire to manipulate the thought and behavior of others.

  • This is the story of Yakov Petrovich Golyadkin.

    Mr. Golyadkin, a minor government official, is a rather middling man. Then one day he meets his "double"—a man with the same name, face, and background. Initially charmed by the coincidence, Golyadkin soon notices a discernable cooling in the reaction of his friends and colleagues, while his double seems to grow in popularity. Mr. Golyadkin, unable to escape the relentless presence of "Golyadkin junior," finds that even the most ordinary activities begin to take on a terrifying significance, until he finds himself on the verge of a breakdown.

    The Double introduced the concept of the split personality or divided soul that would become a common psychological feature of the characters of Dostoevsky's later novels. Considered the most Gogolesque of Dostoevsky's works, the novella brilliantly depicts Golyadkin's descent into madness in a way that is hauntingly poetic. The Double illustrates Dostoevsky's uncanny ability to capture the complexity of human emotion especially the darker side of the human psyche. In this remarkable work of doppelgänger literature, Dostoevsky examines the neurosis and paranoia that cripple a seemingly ordinary man, producing a thoroughly modern nightmare, brilliantly foreshadowing the works of Kafka and Sartre.

  • One of the greatest works of fiction ever written, Crime and Punishment is at once an intense psychological study, a terrifying murder mystery, and a fascinating detective thriller instilled with philosophical, religious, and social commentary.

    Dostoevsky studies the psychological impact upon a desperate and impoverished student when he murders a despicable pawnbroker, transgressing moral law to ultimately “benefit humanity.” After killing the old woman, haunted by guilt and terror, the young man must decide whether to assuage his conscience by confessing or attempt to get away with the perfect crime.

    Crime and Punishment takes the listener on a journey into the darkest recesses of the criminal and depraved mind and exposes the soul of a man possessed by both good and evil who cannot escape his own conscience.

  • Both a masterpiece of Russian populist writing and a parody of the entire genre, Poor People is an early example of Dostoevsky’s genius.

    Written as a series of letters, Poor People is the tragic tale of a petty clerk and his impossible love for a young girl. Longing to help her and her family, he sells everything he can, but his kindness leads him only into more desperate poverty, and ultimately into debauchery. As a typical “man of the underground,” he serves as the embodiment of the belief that happiness can only be achieved with riches.

    This work is remarkable for its vivid characterizations, especially of Dievushkin, the clerk, solely by means of his letters to the young girl and her answers to him.

  • In The Idiot, a saintly man, Prince Myshkin, is thrust into the heart of a society more concerned with wealth, power, and sexual conquest than the ideals of Christianity. Myshkin soon finds himself at the center of a violent love triangle in which a notorious woman and a beautiful young girl become rivals for his affections. Extortion, scandal, and murder follow, testing the wreckage left by human misery to find “man in man.”

    The Idiot is a quintessentially Russian novel, one that penetrates the complex psyche of the Russian people. “They call me a psychologist,” wrote Dostoevsky. “That is not true. I’m only a realist in the higher sense; that is, I portray all the depths of the human soul.”

  • This passionate novel of ethics and morality, religion and philosophy was Dostoevsky’s final and best work.

    After spending four years in a Siberian penal settlement, during which time he underwent a religious conversion, Dostoevsky developed a keen ability for deep character analysis. In The Brothers Karamazov, he explores human nature at its most loathsome and cruel but never flinches at what he finds.

    The Brothers Karamazov tells the stirring tale of four brothers: the pleasure-seeking, impatient Dmitri; the brilliant and morose Ivan; the gentle, loving, and honest Alyosha; and the illegitimate Smerdyakov: shy, silent, and cruel. The four unite in the murder of one of literature’s most despicable characters—their father. While on the surface a story about patricide, this novel is, on a deeper level, a spiritual tale of the struggle between faith, doubt, reason, and free will.