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Priscilla Royal

Priscilla Royal

  • It is the autumn of 1278. The harvest is in. The air is crisp. Dusty summer breathes a last sigh before the dark seasons arrive.

    For Prioress Eleanor, dark times arrive early in Norfolk. The head of her order, Abbess Isabeau, has sent Father Etienne Davoir from their headquarters in France to inspect all aspects of Tyndal Priory, from its morals to its roofs. Surely the abbess would not have chosen her own brother for this rare and thorough investigation unless the cause was serious and she had reason to fear intervention from Rome. Prioress Eleanor knows something is terribly amiss.

    The situation turns calamitous when Davoir’s sick clerk dies from a potion sent by Sister Anne, Tyndal’s sub-infirmarian. Is Sister Anne guilty of simple incompetence—or murder? Or, Davoir asks, did Prioress Eleanor order the death to frighten him away before he discovered the truth behind accusations that she is unfit for her position?

    When Davoir himself is threatened, the priest roars for justice. Even expectant father Crowner Ralf, the local representative of the king’s justice, has lost all objectivity. The most likely suspects are Anne, the woman Ralf once loved, the prioress he respects, and the Tyndal monk, Thomas, who is his closest friend. Who among the French and English assembled at Tyndal has succumbed to Satan’s lullaby?

  • In the spring of 1277, Prioress Eleanor goes on a pilgrimage to a famous East Anglian shrine. There are rumors that King Edward may also visit the shrine soon to seek God’s blessing for his invasion of Wales. Lurking in this sacred place, however, is an assassin hoping to murder a king.

    Soon after Prioress Eleanor and Brother Thomas arrive, a nun falls to her death from the priory bell tower. Brother Thomas finds the body, and the pair quickly grasp that this nun’s death was not an accident. The circumstances point to murder, but this slaying is further tainted with treason. Among the pilgrims, merchants, and religious, too many betray an interest in this death—including a canny street child. At least one of them is most certainly a killer.

    Can Prioress Eleanor and Brother Thomas succeed in exposing the assassin, or will they also fall victim to the one who has made a covenant with hell?

  • It is May 1272, and Prioress Eleanor of Tyndal, recovering from a near-fatal winter fever, journeys to Amesbury Priory to visit her aunt in time for the Feast of Saint Melor. Although Eleanor hopes to regain her strength in the midst of pleasant childhood memories, death reveals a most troublesome fondness for her company.

    A ghost now haunts Amesbury. Is it perhaps the spirit of a pregnant woman who drowned herself in the River Avon? But soon the specter turns murderous. A man is decapitated near the river where the grim figure walks, yet Sister Beatrice, Eleanor’s aunt and acting prioress of Amesbury, shows an uncharacteristic hesitancy about taking charge of any investigation.

    As others apparently fall victim to the vengeful ghost, Eleanor struggles to put a human face on the restless spirit, and Brother Thomas, pursuing a secret mission for the church connected with the priory’s famous psaltery, finds that his own demons have unexpectedly taken on a very human form.

    Corpses grow in number. Death dances with glee. All hope of sweet spring begins to die, and even love takes on a somber hue.

  • In the winter of 1271, death stalks the corridors of Wynethorpe Castle on the Welsh border. When the Grim Reaper touches the beloved grandson of the castle lord, Baron Adam sends for his daughter, Prioress Eleanor of Tyndal, and her subinfirmarian, Sister Anne, to save the child with their prayers and healing talents. Escorting them to the remote fortress is Brother Thomas, an unwilling monk fighting his private demons.

    Death may be denied once in his quest for souls but never twice. Soon after the trio arrives, an important guest is murdered. The prioress’ brother, bloody dagger in hand, stands over the corpse. All others may believe in his guilt, but Eleanor is convinced her brother is innocent.

    Outside her priory, in a world of armed men, Eleanor may have little authority, but she is determined to untangle the Gordian knot of thwarted passions and old resentments even if it means defying her father, a man with whom she longs to make peace. As passions rise with the winter wind and time runs short, Eleanor, Anne, and Thomas struggle to find the real killer.

  • A royal birth, a nobleman’s death, and a scarlet woman’s murder

    In March 1279 Edward I takes a break from hammering the Welsh and bearing down on England’s Jews to vacation in Gloucestershire. The royal party breaks the journey at Woodstock Manor. There, one life begins as the queen gives birth to a daughter and one draws to an end as apoplexy fells Baron Adam Wynethorpe.

    Hastening to the baron’s deathbed is his eldest son, Hugh, a veteran of Edward’s Crusades who can’t shake off the battle horrors he has witnessed. The baron’s daughter, Prioress Eleanor, has already arrived to tend to her father, bringing along her subinfirmarian, Sister Anne, and the monk Brother Thomas. Awaiting Hugh is his illegitimate son, Richard, a youth filled with rebellion—and a secret.

    The royal manor is packed with troubling guests, including a sinister priest, an elderly Jewish mother mourning a son hanged for the treason of coin-clipping, contentious and greedy courtiers, and a lusty wife engaged with more than one lover. Quite soon, the wife is found hanged. Prioress Eleanor and Sister Anne persuade the high sheriff of Berkshire that Mistress Hawis’ death was not a suicide. In fact, many at the manor had reason to wish Hawis dead. And one of the suspects is Richard.

    In her twelfth novel, Royal once again “amplifies and deepens her series characters in the service of a clever plot that elevates her work to the top rank of historical mystery writers,” as Publishers Weekly said in a starred review of Satan’s Lullaby, the eleventh in a series recommended by Sharon Kay Penman and favorably compared to Ellis Peters’ Cadfael books.

  • Late summer, 1270. Although the Simon de Montfort rebellion is over, the smell of death still hangs over the land. In the small priory of Tyndal, the monks and nuns of the Order of Fontevraud long for a return to routine. Their hopes are dashed, however, when the young and inexperienced Eleanor of Wynethorpe is appointed their new prioress. Only a day after her arrival, a brutally murdered monk is found in the cloister gardens, and Brother Thomas, a young priest with a troubled past, arrives to bring her a more personal grief. Now Eleanor must not only struggle to gain the respect of her terrified and resentful flock but also cope with violence, lust, and greed.