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Roe Kendall

Roe Kendall

  • Men of great wealth bought her love. She gave it to only one.

    Marguerite Gautier, the greatest beauty in Paris, was known to all as “the Lady of the Camellias” because she was never seen without her favorite flowers. She was luxuriously kept by the richest men in France, who thronged to her boudoir to lay their fortunes at her feet. She lived violently, spending herself and her money in reckless abandon. She had many lovers, but she never really loved—until she met Armand Duval.

    Realizing that her only assets in life were her face and figure, Marguerite had learned how to make men pay. But what happens to a cool, calculating beauty when she herself suffers the wound of love?

  • The saga of the Deptford Mice continues in this sequel to The Dark Portal. The evil rat Jupiter has been defeated, and the young Deptford mice emerge from the sewers to start a new life in the country. But the albino mouse Oswald is seized by an illness and lies near death. His friend Audrey enlists the help of the ancient squirrel mystic Starwife, who agrees to heal him on one condition. She reintroduces Audrey to the once villainous rat Madam Akkikuyu, whose mind is now broken, and decrees that Madam Akkikuyu must stay with Audrey until she dies.

    In the country, the mice find a bucolic existence, until they find themselves embroiled in a series of murders. The country mice suspect that headstrong city mouse, Audrey, is the culprit. But the truth is far more sinister, as Audrey witnesses the return of the supernatural evil she thought had been destroyed.

  • The hideous spirit of Jupiter, the evil cat who was once lord of the sewer rats, has returned, more terrifying than ever. Bent on revenge for his death, he is determined to turn the world into an eternal winter of hatred. The Deptford Mice feel his chilling grasp everywhere they turn. Their allies are murdered, and the prophetic bats flee, sensing impending doom. A rat army thirsty for mouse blood is building underground. And most frightening of all is that the Starglass, their magical source of knowledge and power, has been stolen by a cruel and violent hand. The mice know they face the most desperate struggle of their lives. Will anyone survive?

  • Every mouse knows: Beware the Grill.

    On the other side of the Grill lie the sewers, where bloodthirsty gangs of rats roam the tunnels. It is in the depths of this blackness that the mysterious god Jupiter has his lair.

    But one curious mouse can't resist the perilous world beyond the Grill, and soon no mouse can ignore its dangers any longer. Before the alter of Jupiter himself, a small band of mice must face evil at its strongest, or the entire city of London could be destroyed.

  • In this classic of social history, the author describes the lives of five lesser-known men and women of the Middle Ages, as well as one famous one. She draws on account books, records, letters, diaries, and wills to make the life of those times as concrete and comprehensible as our own. There are full-length portraits of Bodo, a Frankish peasant in the time of Charlemagne; Marco Polo, the celebrated Venetian traveler—only one of many—of the thirteenth century; Madame Eglentyne, the prioress of Chaucer's Canterbury Tales, whose life can be copiously filled out from the records of the nunneries of fourteenth-century England; the young wife of a fourteenth-century Parisian bourgeois; and two English merchants of the fifteenth century, Thomas Betson of the wool trade and Thomas Paycocke, an Essex clothier.

    This is an informative yet entertaining look at an era through the eyes of people that lived it.

  • Sir Arthur T. Quiller-Couch here gives us these four fairy tales that have been perennial favorites for centuries. The first three fairy tales are “The Sleeping Beauty,” “Blue Beard,” and “Cinderella,” all three of which were popularized in France by Charles Perrault in 1697 in hisTales of Mother Goose. The last tale in the compilation is “Beauty and the Beast,” this version attributed to Gabrielle de Villeneuve, who published it in 1740 and 1756.

    Quiller-Couch had this to say regarding his translation of these tales: “I began by translating Perrault’s tales, very nearly word for word…the translations, when finished, did not satisfy me, and so I turned back to the beginning and have rewritten the stories in my own way, which (as you may say with the Irish butler) ‘may not be the best claret, but ‘tis the best we’ve got…’”