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Narrator

Sneha Mathan

Sneha Mathan

  • Multilayered, subtle, insightful short stories from the inimitable Booker Prize–winning author

    Nobody has written so powerfully of the relationship between and within India and the Western middle classes than Ruth Prawer Jhabvala. In this selection of stories, chosen by her surviving family, her ability to tenderly and humorously view the situations faced by three (sometimes interacting) cultures―European, post-Independence Indian, and American―is never more acute.

    In “A Course of English Studies,” a young woman arrives at Oxford from India and struggles to adapt, not only to the sad, stoic object of her infatuation but also to a country that seems so resistant to passion and color. In the wrenching “Expiation,” the blind, unconditional love of a cloth-shop owner for his wastrel younger brother exposes the tragic beauty and foolishness of human compassion and faith. The wry and triumphant “Pagans” brings us middle-aged sisters Brigitte and Frankie in Los Angeles, who discover a youthful sexuality in the company of the languid and handsome young Indian, Shoki. This collection also includes Jhabvala’s last story, “The Judge’s Will,” which appeared in the New Yorker in 2013 after her death.

    The profound inner experience of both men and women is at the center of Jhabvala’s writing: she rivals Jane Austen with her impeccable powers of observation. With an introduction by her friend, the writer Anita Desai, At the End of the Century celebrates a writer’s astonishing lifetime gift for language and leaves us with no doubt of Ruth Prawer Jhabvala’s unique place in modern literature.

  • In this rich dialogue on surveillance, empire, and power, Roy and Cusack describe meeting with National Security Agency whistleblower Ed Snowden.

    In late 2014, Arundhati Roy, John Cusack, and Daniel Ellsberg traveled to Moscow to meet with Edward Snowden. The result is a series of essays and dialogues in which Roy and Cusack reflect on their conversations with Snowden.

    In these provocative and penetrating discussions, Roy and Cusack discuss the nature of the state, empire, and surveillance in an era of perpetual war, the meaning of flags and patriotism, the role of foundations and NGOs in limiting dissent, and the ways in which capital but not people can freely cross borders.

  • The New York Times bestselling and Booker Prize–winning novel about an Indian family in tragic decline that introduced the world to the voice of Arundhati Roy

    Likened to the works of Faulkner and Dickens when it was first published twenty years ago, this extraordinarily accomplished debut novel is a brilliantly plotted story of forbidden love and piercing political drama, centered on the tragic decline of an Indian family in the state of Kerala, on the southernmost tip of India. Armed only with the invincible innocence of children, the twins Rahel and Esthappen fashion a childhood for themselves in the shade of the wreck that is their family—their lonely, lovely mother Ammu (who loves by night the man her children love by day), their blind grandmother Mammachi (who plays Handel on her violin), their beloved uncle Chacko (Rhodes scholar, pickle baron, radical Marxist, bottom-pincher), their enemy Baby Kochamma (ex-nun and incumbent grandaunt), and the ghost of an imperial entomologist’s moth (with unusually dense dorsal tufts).

    When their English cousin and her mother arrive on a Christmas visit, the twins learn that things can change in a day. That lives can twist into new, ugly shapes, even cease forever. The brilliantly plotted story uncoils with an agonizing sense of foreboding and inevitability. Yet nothing prepares you for what lies at the heart of it.

  • Critically acclaimed author Indu Sundaresan returns to seventeenth-century India as two princesses struggle for supremacy of their father’s kingdom.

    Trapped in the shadow of the magnificent tomb their grief-stricken father is building for his beloved deceased wife, the emperor’s daughters compete for everything: control over the imperial harem, their father’s affection, and the future of their country. They are forbidden to marry and instead choose to back different brothers in the fight for ultimate power over the throne. But only one of the sisters will succeed.

    With an enthusiasm for history and a flair for rich detail, Indu Sundaresan brings listeners deep into the complicated lives of Indian women of the time period and highlights the profound history of one of the most celebrated works of architecture in the world, the Taj Mahal.

  • This vivid reimagining of the world-famous Indian epic Mahabharata takes us back to a time that is half history, half myth, and wholly magical. It is told by Panchaali, wife of the Pandava brothers, a fiery female redefining for us a world of gods and warriors.

    The novel traces the princess Panchaali’s life, beginning with her birth in fire and following her spirited balancing act as a woman with five husbands who have been cheated out of their father’s kingdom. Panchaali is swept into their quest to reclaim their birthright, remaining at their side through years of exile and a terrible civil war involving all the important kings of India. Meanwhile, we never lose sight of her strategic duels with her mother-in-law, her complicated friendship with the enigmatic Krishna, or her secret attraction to the mysterious man who is her husbands’ most dangerous enemy.

  • In her critically praised debut novel, The Twentieth Wife, Indu Sundaresan introduced the love story of Emperor Jahangir and Mehrunnisa. The story continues in this lush sequel, when Mehrunnisa comes into Jahangir’s harem as his twentieth and final wife. This time Jahangir has married for love, and members of his court are worried that Mehrunnisa could exert control over their futures. Their concerns are well founded.

    Despite the rivalry of the imperial harem, who has plotted against her from the beginning, Mehrunnisa soon becomes the most powerful woman in the Mughal Empire. She rules from behind the veil, securing her status by forming a junta of sorts with her father, brother, and stepson and by risking all, even her daughter, to get what she wants. But she never loses the love of the man who has bestowed this power upon her.

  • The Story of Mankindrevolutionized former methods of telling history. While it received the first Newbery Medal for the most distinguished contribution to American literature for children, critics and public alike hailed it as a book for all ages. Van Loon recounts history as living news, relating everything in the past to the present. From Western civilization's earliest times through to the beginning of the twentieth century, he emphasizes the people and events that changed the course of history,writing informally to make world history wonderfully alive and exciting.

    Of this book the author writes, "The entrance of America upon the scene of international politics as the most important actor…convinced me that a proper and reasonable understanding of historical cause and effect was the most important factor in the lives of the rising generation. And so my book…treats the entire history of the human race as a single unit…It begins with the dim and hardly understood realm of the earliest past; it can be continued forever."