Narrator

Michael Kramer

Michael Kramer
  • “Work is love made visible.” - Khalil Gibran

    Filled with wisdom, written in simple, poetic language, The Prophet is a book for all ages, which remains amazingly relevant to our times. This audiobook, narrated by Michael Kramer and Kate Reading, contains two full versions of The Prophet: Part One, with music by Stefan Frankenberger. Part Two, with our voices only.

    After living in the city of Orphalese for 12 years, a prophet is about to board a ship which will carry him home. He is stopped by a seeress and the people of the city, who ask him for his insights into life.

    The book is divided into chapters dealing with love, marriage, children, giving, eating and drinking, work, joy and sorrow, houses, clothes, buying and selling, crime and punishment, laws, freedom, reason and passion, pain, self-knowledge, teaching, friendship, talking, time, good and evil, prayer, pleasure, beauty, religion, and death.

    The Prophet is a book of prose poetry written by Khalil Gibran. Originally published in 1923, it is now in the public domain. The Prophet has been translated into over 100 different languages, making it one of the most translated books in history, and it has never been out of print.

  • Compulsory ujamaa villages in Tanzania, collectivization in Russia, Le Corbusier’s urban planning theory realized in Brasilia, the Great Leap Forward in China, agricultural “modernization” in the Tropics―the twentieth century has been racked by grand utopian schemes that have inadvertently brought death and disruption to millions. Why do well-intentioned plans for improving the human condition go tragically awry?

    In this wide-ranging and original book, James C. Scott analyzes failed cases of large-scale authoritarian plans in a variety of fields. Centrally managed social plans misfire, Scott argues, when they impose schematic visions that do violence to complex interdependencies that are not―and cannot―be fully understood. Further, the success of designs for social organization depends upon the recognition that local, practical knowledge is as important as formal, epistemic knowledge. The author builds a persuasive case against “development theory” and imperialistic state planning that disregards the values, desires, and objections of its subjects. He identifies and discusses four conditions common to all planning disasters: administrative ordering of nature and society by the state; a “high-modernist ideology” that places confidence in the ability of science to improve every aspect of human life; a willingness to use authoritarian state power to effect large- scale interventions; and a prostrate civil society that cannot effectively resist such plans.

  • Not all the folks who roamed the Old West were cowhands, rustlers, or cardsharps. And they certainly weren’t all heroes.

    Give-a-Damn Jones, a free-spirited itinerant typographer, hates his nickname almost as much as the rumors spread about him. He’s a kind soul who keeps finding himself in the wrong place at the wrong time.

    That’s what happened in Box Elder, a small Montana town. Tensions are running high, and anything—or anyone—could be the fuse to ignite them: a recently released convict trying to prove his innocence, a prominent cattleman who craves respect at any cost, a wily traveling dentist at odds with a violent local blacksmith, or a firebrand of an editor who is determined to unlock the town’s secrets.

    Jones walks into the middle of it all, and this time, he may be the hero that this town needs.

  • Focusing mostly on Italy and Germany but also considering Spain, Romania, Japan, and movements in other countries, Payne (history, U. of Wisconsin) describes fascism as revolutionary ultranationalism based on national rebirth, extreme elitism, mass mobilization, and the promotion of violence and military virtues. He also suggests that the early Russian communists borrowed many techniques from fascism, and that though we are fairly well inoculated against fascism itself, the values it represents could still emerge in new forms.

  • The Wyoming territory is vast, rich with grasslands, and largely lawless. So when a conflict arises over whose herd gets to graze in those grasslands, then it’s more likely to be settled with a shootout than a lawyer.

    The cattlemen believed their cows ought to have free grazing. It had been a long winter and the herd was hungry. But that means the sheep ranchers would have to move on, at gunpoint if necessary.

    But the way the sheep ranchers see things, they were there first, and the cowboys ought to be the ones looking for greener pastures. After the sheep ranchers refused to leave, night riders ambushed them, killing a sheep rancher and a shepherd as proof that the edict to leave was serious.

    But without the law to intervene in the conflict, there was only one way the showdown in Wyoming could be brought to an end: guns.

  • Johnny D. Boggs turns the battlefield itself into a character in this historical retelling of Custer’s Last Stand, when George Custer led most of his command to annihilation at the Battle of the Little Bighorn in southern Montana in 1876.

    More than forty first-person narratives are used—Indian and white, military and civilian, men and women—to paint a panorama of the battle itself.

    Boggs brings the events and personalities of the Battle of the Little Bighorn to life in a series of first-hand accounts.

  • James Salter was a master. One of the greatest writers of American sentences in our literary history, his acute and glimmering portrayals of characters are built with a restrained and poetic style. The author of many memorable works of fiction—including Dusk, and Other Stories, which won the PEN/Faulkner Award—he is also celebrated for his memoirs and many nonfiction essays.

    In her preface, Kay Salter writes, “Don’t Save Anything is a volume of the best of Jim’s nonfiction—articles published but never collected in one place until now. Though those many boxes were overflowing with papers, in the end it’s not really a matter of quantity. These pieces reveal some of the breadth and depth of Jim’s endless interest in the world and the people in it…One of the greatest pleasures in writing nonfiction is the writer’s feeling of exploration, of learning about things he doesn’t know, of finding out by reading and observing and asking questions, and then writing it down. That’s what you’ll find here.”

    This collection gathers his thoughts on writing and profiles of famous writers, observations of the changing American military life, evocations of Aspen winters, musings on mountain climbing and skiing, and tales of travels to Europe and Asia which first appeared in the New Yorker, Esquire, People magazine, Conde Nast Traveler, the Aspen Times, and many other publications.

  • On the first day of the Battle of Gettysburg in July 1863, Union artillery lieutenant Bayard Wilkeson fell while bravely spurring his men to action. His father, Sam, a New York Times correspondent, was already on his way to Gettysburg when he learned of his son’s wounding but had to wait until the guns went silent before seeking out his son, who had died at the town’s poorhouse. Sitting next to his dead boy, Sam Wilkeson then wrote one of the greatest battlefield dispatches in American history.

    This vivid exploration of one of Gettysburg’s most famous stories—the story of a father and a son, the son’s courage under fire, and the father’s search for his son in the bloody aftermath of battle—reconstructs Bayard Wilkeson’s wounding and death, which have been shrouded in myth and legend, and sheds light on Civil War–era journalism, battlefield medicine, and the “good death.”

  • Diamonds, greed, corrupt cops, mobsters—David Mapstone is about to be tested like never before.

    A cache of diamonds is stolen in Phoenix. The prime suspect is former Maricopa County sheriff Mike Peralta, now a private investigator. Disappearing into Arizona’s mountainous high country, Peralta leaves his business partner and longtime friend David Mapstone with a stark choice: he can cooperate with the FBI, or strike out on his own to find Peralta and what really happened.

    Mapstone knows he can count on his wife, Lindsey, one of the top “good hackers” in law enforcement. But what if they’ve both been betrayed? Mapstone is tested further when the new sheriff wants him back as a deputy, putting to use his historian’s expertise to solve a very special cold case. The stakes turn deadly when David and Lindsey are stalked by a trained killer whose specialty is “suiciding” her targets.

    In depressed, postrecession Phoenix, every certainty has become scrambled, from the short hustle of the powerful real-estate industry to the loyalties Mapstone once took for granted. Could Peralta really be a jewel thief … or worse? The deeper Mapstone digs into the world of sunbaked hustlers, corrupt cops, moneyed retirees, and mobsters, the more things are not what they seem. Ultimately, Mapstone must risk everything to find the truth.

    High Country Nocturne is an ambitious, searing, and gritty novel, with a fast-paced story as hard-edged as the stolen diamonds themselves.

  • Drawing on previously unpublished eyewitness accounts, prizewinning historian Donald L. Miller has written what critics are calling one of the most powerful accounts of warfare ever published. Here are the horror and heroism of World War II in the words of the men who fought it, the journalists who covered it, and the civilians who were caught in its fury. Miller gives us an up-close, deeply personal view of a war that was more savagely fought—and whose outcome was in greater doubt—than one might imagine. This is the war that Americans on the home front would have read about had they had access to the previously censored testimony of the soldiers on which Miller builds his gripping narrative.

    Miller covers the entire war—on land, at sea, and in the air—and provides new coverage of the brutal island fighting in the Pacific, the bomber war over Europe, the liberation of the death camps, and the contributions of African Americans and other minorities. He concludes with a suspenseful, never-before-told story of the atomic bombing of Nagasaki, based on interviews with the men who flew the mission that ended the war.