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Anthony Heald

Anthony Heald

  • A Russian author, playwright, and physician, Anton Chekhov is widely considered one of the best short-story writers of all time. Having influenced such writers as Ernest Hemingway, Raymond Carver, and James Joyce, Chekhov’s stories are often noted for their stream-of-consciousness style and their vast number. Raymond Carver once said, “It is not only the immense number of stories he wrote—for few, if any, writers have ever done more—it is the awesome frequency with which he produced masterpieces, stories that shrive us as well as delight and move us, that lay bare our emotions in ways only true art can accomplish.”

    In The Complete Stories of Anton Chekhov, Volume 2: 1886, Blackstone has compiled fifty-five of Chekhov’s short stories:

    Art
    A Blunder
    Children
    Misery
    An Upheaval
    An Actor’s End
    The Requiem
    Anyuta
    Ivan Matveyitch
    The Witch
    A Story without an End
    A Joke
    Agafya
    A Nightmare
    Grisha
    Love
    Easter Eve
    Ladies
    Strong Impressions
    A Gentleman Friend
    A Happy Man
    The Privy Councillor
    A Day in the Country
    At a Summer Villa
    Panic Fears
    The Chemist’s Wife
    Not Wanted
    The Chorus Girl
    The Schoolmaster
    A Troublesome Visitor
    The Husband
    A Misfortune
    A Pink Stocking
    Martyrs
    The First-Class Passenger
    Talent
    The Dependents
    The Jeune Premier
    In the Dark
    A Trivial Incident
    A Tripping Tongue
    A Trifle from Life
    Difficult People
    In the Court
    A Peculiar Man
    Mire
    Dreams
    Hush!
    Excellent People
    An Incident
    The Orator
    A Work of Art
    Who Was to Blame?
    Vanka
    On the Road

  • A Russian author, playwright, and physician, Anton Chekhov is widely considered one of the best short-story writers of all time. Having influenced such writers as Ernest Hemingway, Raymond Carver, and James Joyce, Chekhov’s stories are often noted for their stream-of-consciousness style and their vast number. Raymond Carver once said, “It is not only the immense number of stories he wrote—for few, if any, writers have ever done more—it is the awesome frequency with which he produced masterpieces, stories that shrive us as well as delight and move us, that lay bare our emotions in ways only true art can accomplish.”

    In The Complete Stories of Anton Chekhov, Volume 1: 1882–1885, Blackstone has compiled forty-one of these delightful short stories:

    A Living Chattel
    Joy
    At the Barber’s
    An Enigmatic Nature
    A Classical Student
    The Death of a Government Clerk
    The Trousseau
    A Daughter of Albion
    An Inquiry
    Fat and Thin
    A Tragic Actor
    The Bird Market
    A Slander
    The Swedish Match
    Choristers
    The Album
    Minds in Ferment
    A Chameleon
    In the Graveyard
    Oysters
    The Marshal’s Widow
    Small Fry
    In an Hotel
    Boots
    Nerves
    A Country Cottage
    Malingerers
    The Fish
    Gone Astray
    The Huntsman
    A Malefactor
    The Head of the Family
    A Dead Body
    The Cook’s Wedding
    In a Strange Land
    Overdoing It
    Old Age
    Sorrow
    Oh! The Public!
    Mari d’Elle
    The Looking-Glass

  • Prepare yourself for the shocking, the strange, and the terrifying in Ambrose Bierce’s 1893 story collection Can Such Things Be? One of the greatest masters of horror brings you twenty-five tales of the supernatural and the unexplained. Whether in stories of ghosts sending desperate warnings to their human counterparts, psychics attempting to bridge unknown dimensions, howling werewolves, or a robot who takes on a life of his own, Bierce plumbs the depths of fear and fascination. Spooky thrills and mind-bending mysteries await all who dare to open the cover of Can Such Things Be?

  • One of the most controversial Russian novels ever written, Fathers and Sons dramatizes the volcanic social conflicts that divided Russia just before the revolution, pitting peasants against masters, traditionalists against intellectuals, and fathers against sons. It is also a timeless depiction of the ongoing clash between generations.

    When a young graduate returns home, he is accompanied—much to his father and uncle's discomfort—by a strange friend who does not acknowledge any authority and does not accept any principle on faith. Bazarov is a nihilist, representing the new class of youthful radical intelligentsia that would come to overthrow the Russian aristocracy and its values. Uncouth and forthright in his opinions, Turgenev's hero is nonetheless susceptible to love and, by that fact, doomed to unhappiness.

  • From the bestselling author of The Women comes an action-packed adventure about endangered animals and those who would protect them.

    Principally set on the wild and sparsely inhabited Channel Islands off the coast of Santa Barbara, T. C. Boyle’s powerful novel combines pulse-pounding adventure with a socially conscious, richly humane tale regarding the dominion we attempt to exert, for better or worse, over the natural world. Alma Boyd Takesue is a National Park Service biologist who is spearheading the efforts to save the islands’ endangered native creatures from invasive species like rats and feral pigs, which, in her view, must be eliminated. Her antagonist, Dave LaJoy, is a dreadlocked local businessman who, along with his lover, the folksinger Anise Reed, is fiercely opposed to the killing of any species whatsoever and will go to any lengths to subvert the plans of Alma and her colleagues.

    Their confrontation plays out in a series of escalating scenes in which these characters violently confront one another, contemplate acts of sabotage, court danger, and tempt the awesome destructive power of nature itself. Boyle deepens his story by going back in time to relate the harrowing tale of Alma’s grandmother, Beverly, who was the sole survivor of a 1946 shipwreck in the channel, as well as the tragic story of Anise’s mother, Rita, who in the late 1970s lived and worked on a sheep ranch on Santa Cruz Island. In dramatizing this collision between protectors of the environment and animal rights activists, Boyle is, in his characteristic fashion, examining one of the essential questions of our time: Who has the right of possession of the land, the waters, the very lives of all the creatures who share this planet with us?

    When the Killing’s Done will offer no transparent answers, but like The Tortilla Curtain, Boyle’s classic take on illegal immigration, it will touch you deeply and put you in a position to decide.

  • In the Dutch settlement of Tarry Town, New York, in a secluded glen called Sleepy Hollow, Ichabod Crane arrives to educate the children of the region. This lanky schoolmaster from Connecticut fancies the idea of marrying the beautiful Katrina Van Tassel, the eighteen-year-old daughter of a wealthy farmer, but there is a problem with his plan. Abraham “Brom Bones” Van Brunt, the town rowdy, has already set his heart on marrying her.

    This romantic rivalry climaxes one autumn night with the appearance of the legendary Headless Horseman, allegedly the ghost of a Hessian trooper who lost his head to a cannonball during the Revolutionary War. Every night he rides through the woods to the scene of the battle in search of his head.

    Since this story’s first appearance in 1820, generations of readers, young and old, have thrilled to the Headless Horseman galloping through the haunted woods of Sleepy Hollow. The rollicking tale of Ichabod Crane and his ill-fated courtship of Katrina Van Tassel has become a classic ghost story.

  • One of the great works of American literature, Moby-Dick is the epic tale of one man’s fight against a force of nature.

    The outcast youth Ishmael, succumbing to wanderlust during a dreary New England autumn, signs up for passage aboard a whaling ship. The Pequod sails under the command of the one-legged Captain Ahab, who has set himself on a maniacal quest to capture the cunning white whale that robbed him of his leg: Moby-Dick.

    Capturing life on the sea with robust realism, Melville details the adventures of the colorful crew aboard the ship as Ahab pursues his crusade of revenge, heedless of all cost. This masterfully symbolic drama of the conflict between man and his fate has a special intensity that listeners will not soon forget.

  • Homer's Iliad and Odyssey are unquestionably two of the greatest epic masterpieces in Western literature. Though more than 2,700 years old, their stories of brave heroics, capricious gods, and towering human emotions are vividly timeless.

    The Iliad can justly be called the world's greatest war epic. The terrible and long-drawn-out siege of Troy remains one of the classic campaigns, the heroism and treachery of its combatants unmatched in song and story. Driven by fierce passions and loyalties, men and gods battle to a devastating conclusion.

    The Odyssey chronicles the many trials and adventures Odysseus must pass through on his long journey home from the Trojan wars to his beloved wife, Penelope. Though the stormy god of the ocean has sworn vengeance against him, and witches and sirens try to lure him off course, Odysseus is clever and has the brilliant goddess Athena on his side.

  • One of the great masterpieces of Western literature, Odyssey chronicles the many trials and adventures Odysseus must pass through on his long journey home from the Trojan wars. Though the stormy, vengeful god of the ocean is determined to keep him off course, Odysseus is clever and has the brilliant goddess Athena on his side. With wit, integrity, and bravery, Odysseus must escape the grip of the fearsome Cyclops, resist the deadly seductions of sirens and witches, and traverse the land of the dead to commune with his fallen comrades before returning to his beloved wife, who has waited for him for twenty years. A storehouse of Greek folklore and myth, Homer’s epic tale remains as captivating today as it was 2,700 years ago.

  • Homer’s Iliad can justly be called the world’s greatest war epic. The terrible and long-drawn-out siege of Troy remains one of the classic campaigns, the heroism and treachery of its combatants unmatched in song and story. Driven by fierce passions and loyalties, men and gods battle to a devastating conclusion.

    “Homer is full of merriment, full of open fun and delicate comedy, even farce—as when Ares, wounded, bursts up to Olympus like a bomb. And the divine family! What a delightful natural party: human beings raised a degree or two, but all the same, funnier than that. They are the comic background for the tragedy below—for the story of Achilles is a tragedy—the fiery conflict of a man divided against himself, who in a few short days drops to the lowest hell of savagery, then rises to self-mastery and inward peace.”—W.H.D. Rouse

  • In his National Book Award–winning novel Augustus, John Williams uncovered the secrets of ancient Rome. With Butcher's Crossing, his fiercely intelligent, beautifully written western, Williams dismantles the myths of modern America.

    It is the 1870s, and Will Andrews, fired up by Emerson to seek "an original relation to nature," drops out of Harvard and heads west. He washes up in Butcher's Crossing, a small Kansas town on the outskirts of nowhere. Butcher's Crossing is full of restless men looking for ways to make money and ways to waste it. Before long Andrews strikes up a friendship with one of them, a man who regales Andrews with tales of immense herds of buffalo, ready for the taking, hidden away in a beautiful valley deep in the Colorado Rockies. He convinces Andrews to join in an expedition to track the animals down. The journey out is grueling, but at the end is a place of paradisiacal richness. Once there, however, the three men abandon themselves to an orgy of slaughter, so caught up in killing buffalo that they lose all sense of time. Winter soon overtakes them: they are snowed in. Next spring, half-insane with cabin fever, cold, and hunger, they stagger back to Butcher's Crossing to find a world as irremediably changed as they have been.

  • In Henry Flemming, Stephen Crane creates a great and realistic study of the mind of an inexperienced soldier trapped in the fury and turmoil of war. Flemming dashes into battle, at first tormented by fear, then bolstered with courage in time for the final confrontation.

    Although the exact battle is never identified, Crane based this story of a soldier’s experiences during the American Civil War on the 1863 Battle of Chancellorsville. Many veterans, both Union and Confederate, praised the book’s accurate representation of war, and critics consider its stylistic strength the mark of a literary classic.

    Following its initial appearance in serial form, Stephen Crane’s The Red Badge of Courage was published as a complete work in 1895 and quickly became the benchmark for modern anti-war literature.

  • Tobias Wolff’s first two books, In the Garden of the North American Martyrs and Back in the World, proved how the short story can “provoke our amazed appreciation” (New York Times Book Review). In the years since, he’s written a third collection, The Night in Question, as well as several other astounding works. Now he returns with fresh revelations—about biding one’s time, experiencing first love, or burying one’s mother—that come to a variety of characters in circumstances at once everyday and extraordinary: a retired marine enrolled in college while her son trains for Iraq, a lawyer taking a difficult deposition, an American in Rome indulging the Gypsy who’s picked his pocket. In this potent new collection, as with his earlier work, Wolff displays his mastery over a quarter century, once again proving himself “a writer of the highest order: part storyteller, part philosopher, someone deeply engaged in asking hard questions that take a lifetime to resolve” (Los Angeles Times).

  • This special unabridged, multivoiced production of Mary Shelley’s masterpiece of nineteenth-century Gothic horror is narrated by film and television star Anthony Heald, joined by Grammy winner Stefan Rudnicki and actor Simon Templeman, under the direction of award-winning audio producer Yuri Rasovsky.

    Dr. Victor Frankenstein, an ambitious young scientist, is consumed by a fanatic desire to create a living being. He fashions an eight-foot creature and succeeds in animating him but, horrified by his visage, perceives his creation to be a monster and frightens him away. The monster, wandering in search of human companionship, is spurned and repulsed by all he approaches and learns to hate and to kill. He confronts his maker with a terrible choice: unless Frankenstein creates for him a mate, he will go on a rampage of destruction.

    A subversive tale about the corrupt tendencies in humanity’s most “civilized” ambitions, this haunting thriller, the original science fiction novel, maintains its hold in the collective imagination centuries after its first publication.

  • The #1 New York Times best-selling story of addiction and a father’s love: “A brilliant, harrowing, heartbreaking, fascinating story, full of beautiful moments and hard-won wisdom. This book will save a lot of lives and heal a lot of hearts.”—Anne Lamott


    Now a Major Motion Picture Starring Steve Carell and Timothée Chalamet    .

    What had happened to my beautiful boy? To our family? What did I do wrong? Those are the wrenching questions that haunted every moment of David Sheff’s journey through his son’s drug addiction. David’s story is a first: a teenager’s addiction from the parent’s point of view—a real-time chronicle of the shocking descent into substance abuse and the gradual emergence into hope.

    Before meth, Sheff’s son, Nic, was a varsity athlete, honor student, and award-winning journalist. After meth, he was a trembling wraith who lied, stole money from his eight-year-old brother, and lived on the streets. With poignant candor, Sheff traces the first warning signs—denial, 3 a.m. phone calls—the attempts at rehabilitation, and, at last, the way past addiction. He shows us that, whatever an addict’s fate, the rest of the family must care for one another too, lest they become addicted to addiction.

    Beautiful Boy is a fiercely candid memoir that brings immediacy to the emotional rollercoaster of loving a child who seems beyond help.

  • In a sleepy little New England village stands a dark, weather-beaten, many-gabled house. This brooding mansion is haunted by a centuries-old curse that casts the shadow of ancestral sin upon the last four members of the distinctive Pyncheon family of Salem. 

    The greed and haughty pride of the Pyncheon family through the generations is mirrored in the gloomy decay of their seven-gabled mansion, where the family’s enfeebled and impoverished relations now live. Mysterious deaths threaten the living. Musty documents nestle behind hidden panels carrying the secret of the family’s salvation—or its downfall.

    A brilliant intertwining of the popular, the symbolic, and the historical, Hawthorne’s gothic romance is a powerful exploration of personal and national guilt, a work that Henry James declared “the closest approach we are likely to have to the Great American Novel.”

  • One of the greatest works of fiction ever written, Crime and Punishment is at once an intense psychological study, a terrifying murder mystery, and a fascinating detective thriller instilled with philosophical, religious, and social commentary.

    Dostoevsky studies the psychological impact upon a desperate and impoverished student when he murders a despicable pawnbroker, transgressing moral law to ultimately “benefit humanity.” After killing the old woman, haunted by guilt and terror, the young man must decide whether to assuage his conscience by confessing or attempt to get away with the perfect crime.

    Crime and Punishment takes the listener on a journey into the darkest recesses of the criminal and depraved mind and exposes the soul of a man possessed by both good and evil who cannot escape his own conscience.

  • Jay Gatsby is still in love with Daisy, whom he met during the war when he was penniless. Having made himself wealthy through illegal means, he now lives in a mansion across the bay from the home of Daisy Buchanan, who has since married for money. Holding on to his illusion of Daisy as perfect, he seeks to impress her with his wealth, and uses his new neighbor, Nick Carraway (our narrator), to reach her.

    Daisy’s wealthy but boring husband is cheating on her. When his mistress is killed in an accident caused by Daisy, Gatsby covers for her and takes the blame. The result is a murder and an ending that reveals the failure of money to buy love or happiness.

    Fitzgerald’s elegantly simple work captures the spirit of the Jazz Age and embodies America’s obsessions with wealth, power, and the promise of new beginnings.

  • This Pulitzer Prize–winning classic tells the poignant tale of a Chinese farmer and his family in old agrarian China. The humble Wang Lung glories in the soil he works, nurturing the land as it nurtures him and his family. Nearby, the nobles of the House of Hwang consider themselves above the land and its workers, but they will soon meet their own downfall.

    Hard times come upon Wang Lung and his family when flood and drought force them to seek work in the city. The working people riot, breaking into the homes of the rich and forcing them to flee. When Wang Lung shows mercy to one noble and is rewarded, he begins to rise in the world, even as the House of Hwang falls.

  • Elmer Gantry is the portrait of a silver-tongued evangelist who rises to power within his church, yet lives a life of hypocrisy, sensuality, and ruthless self-indulgence.

    The title character starts out as a greedy, shallow, philandering Baptist minister, turns to evangelism, and eventually becomes the leader of a large Methodist congregation. Throughout the novel, Gantry encounters fellow religious hypocrites. Although often exposed as a fraud, Gantry is never fully discredited.

    When Elmer Gantry was first published in 1927, it created a public furor. Now it is considered a landmark in American literature and one of the most penetrating studies of hypocrisy in modern literature. The novel also represents the evangelistic activity of America in the 1920s and people’s attitudes toward it.