Narrator

Stacy Keach

Stacy Keach
  • A failed attempt on his life by a contract killer gets Mike Hammer riled up. But it also lands him an unlikely job: security detail for a Hollywood producer having a party to honor his beautiful fiancée, a rising Broadway star. But it’s no walk in the park, as Hammer finds violence following him and his beautiful private-eye partner Velda into the swankiest of crime scenes.

    In the meantime, Hammer is trying to figure out who put the hit man on him. Is there a connection with the death of a newsstand operator who took a bullet meant for him? A shadowy figure looking for the kill of his life?

  • The course of true love never did run smooth for PI Mike Hammer. His secretary and partner Velda has walked out on him without explanation, and Mike is just surfacing from a four-month bender. But then an old cop turns up murdered—a cop who once worked with Velda on the NYPD Vice Squad. What’s more, Mike’s pal Captain Pat Chambers has discovered that Velda is in Florida, now the moll of gangster and drug runner Nolly Quinn.

    Hammer hits the road and drives to Miami, where he enlists the help of a horse-faced newspaperman and a local police detective. But can they find Velda in time? And what is the connection between the murdered vice cop in Manhattan and Mike’s ex turned gun moll in Florida?

  • Mike Hammer has been away from New York for too long. Recuperating in Florida after the mob shoot-out that nearly claimed his life, he learns that an old mentor on the New York police force has committed suicide. Hammer returns for the funeral—and because he knows that Inspector Doolan would never have killed himself. But Manhattan in the seventies no longer feels like home. Hammer’s longtime partner, Velda, disappeared after he broke it off for her own safety, and his office is shut down.

    When a woman is murdered practically on the funeral’s doorstep, Hammer is drawn into the hunt for a cache of Nazi diamonds that makes the Maltese Falcon seem like a knickknack and for the mysterious woman who had been close to Doolan in his final days. But drug racketeers, who had it in for Doolan, attract Hammer’s attention as well. Soon he is hobnobbing with coke-snorting celebrities at the notorious disco, Club 52, and playing footsie with a sleek lady DA, a modern woman on the make for old-fashioned Hammer. Everything leads to a Mafia social club where Hammer and his .45 come calling, initiating the wildest showdown since Spillane’s classic One Lonely Night.

  • In midtown Manhattan, Mike Hammer, recovering from a near-fatal mix-up with the Mob, runs into drug dealers assaulting a young hospital messenger. He saves the kid, but the muggers are not so lucky. Hammer considers the rescue a one-off, but someone has different ideas, as indicated by a street-corner knife attack. With himself for a client, Hammer—and his beautiful, deadly partner Velda—take on the narcotics racket in New York just as the streets have dried up and rumors run rampant of a massive heroin shipment due any day. In a New York of flashy discotheques, swanky bachelor pads, and the occasional dark alley, Hammer deals with doctors and drug addicts, hippie chicks and hit men, meeting changing times with his timeless brand of violent vengeance.

    Originally begun and outlined by Spillane in the mid-sixties, and expertly completed by his longtime collaborator Max Allan Collins, The Big Bang is vintage Mike Hammer on acid—literally.

  • The bestselling American mystery writer of all time brings back his world-famous PI, Mike Hammer, for his biggest and most dangerous case yet.

    In the midst of a Manhattan snowstorm, Mike Hammer halts the violent robbery of a pair of college sweethearts who have stumbled onto a remarkable archeological find in the Valley of Elah: the perfectly preserved femur of what may have been the biblical giant Goliath. Hammer postpones his marriage to his faithful girl Friday, Velda, to fight a foe deadlier than the mobsters and KGB agents of his past: Islamic terrorists and Israeli extremists bent upon recovering the relic for their own agendas.

    Completed after Spillane’s death by his collaborator, Max Allan Collins, this thriller is as classic as Spillane’s own I, the Jury and as contemporary as The Da Vinci Code.