“Narrator Bernadette Dunne…ably brings to life Moore’s astute critical commentary. She also captures the nuances of Moore’s shifting tone, which is by turns reflective, inquisitive, musing, playful—and always curious. Listeners who are fans of Moore’s sharp insights or interested in reflecting on our nation’s history as refracted through landmark works and cultural events will enjoy sampling this collection.” AudioFile
Description
A welcome surprise: more than fifty prose pieces, gathered together for the first time, by one of America’s most revered and admired novelists and short-story writers, whose articles, essays, and cultural commentary—appearing in the New York Review of Books, the New York Times Book Review, the New Yorker, The Atlantic, the Guardian, Harper’s Magazine, and elsewhere—have been parsing the political, artistic, and media idiom for the last three decades.
From Lorrie Moore’s earliest reviews of novels by Margaret Atwood and Nora Ephron, to an essay on Ezra Edelman’s 2016 O. J. Simpson documentary, and in between: Moore on the writing of fiction (the works of V. S. Pritchett, Don DeLillo, Philip Roth, Joyce Carol Oates, Alice Munro, Stanley Elkin, Dawn Powell, Nicholson Baker, et al.); on the continuing unequal state of race in America; on the shock of the shocking GOP; on the dangers (and cruel truths) of celebrity marriages and love affairs; on the wilds of television (The Wire, Friday Night Lights, Into the Abyss, Girls, Homeland, True Detective, Making a Murderer); on the (d)evolving environment; on terrorism, the historical imagination, and the world’s newest form of novelist; on the lesser (and larger) lives of biography and the midwifery between art and life (Anaïs Nin, Marilyn Monroe, John Cheever, Edna St. Vincent Millay, Eudora Welty, Bernard Malamud, among others); on the high art of being Helen Gurley Brown; and much, much more.
“Fifty years from now, it may well turn out that the work of very few American writers has as much to say about what it means to be alive in our time as that of Lorrie Moore” (Harper’s Magazine).
Praise
“Narrator Bernadette Dunne…ably brings to life Moore’s astute critical commentary. She also captures the nuances of Moore’s shifting tone, which is by turns reflective, inquisitive, musing, playful—and always curious. Listeners who are fans of Moore’s sharp insights or interested in reflecting on our nation’s history as refracted through landmark works and cultural events will enjoy sampling this collection.” AudioFile
“Whip-smart and thought-provoking.” Elle
“Deft, graceful essays from a sharply incisive writer.” Kirkus Reviews
“This collection of sixty lucid and erudite cultural essays by the award-winning fiction writer is a treasure.” Jane Ciabattari, author of Stealing the Fire
“A fantastic collection…The essay on writing alone is worth the price of admission…She’s got those brilliant harmonies and that swinging, incisive wit.” Ben Sidran, author of There Was a Fire
Details
| Language | English |
|---|---|
| Release Day | Apr 2, 2018 |
| Release Date | April 3, 2018 |
| Release Date Machine | 1522713600 |
| Imprint | Blackstone Publishing |
| Provider | Blackstone Publishing |
| Categories | Literature & Fiction, Women's Fiction, World Literature, Essays, Nonfiction - Adult, Nonfiction - All |
Author Bio
Lorrie Moore is the author of five novels and several short-story collections. Her work has won honors from the Lannan Foundation and the American Academy of Arts and Letters, as well as the Irish Times International Prize for Fiction, the Rea Award for the Short Story, and the PEN/Malamud Award. She is the Gertrude Conaway Vanderbilt Professor of English at Vanderbilt University.
Narrator Bio
Bernadette Dunne is the winner of numerous AudioFile Earphones Awards and has twice been nominated for the prestigious Audie Award. She studied at the Royal National Theatre in London and the Studio Theater in Washington, DC, and has appeared at the Kennedy Center and off Broadway.
Overview
A welcome surprise: more than fifty prose pieces, gathered together for the first time, by one of America’s most revered and admired novelists and short-story writers, whose articles, essays, and cultural commentary—appearing in the New York Review of Books, the New York Times Book Review, the New Yorker, The Atlantic, the Guardian, Harper’s Magazine, and elsewhere—have been parsing the political, artistic, and media idiom for the last three decades.
From Lorrie Moore’s earliest reviews of novels by Margaret Atwood and Nora Ephron, to an essay on Ezra Edelman’s 2016 O. J. Simpson documentary, and in between: Moore on the writing of fiction (the works of V. S. Pritchett, Don DeLillo, Philip Roth, Joyce Carol Oates, Alice Munro, Stanley Elkin, Dawn Powell, Nicholson Baker, et al.); on the continuing unequal state of race in America; on the shock of the shocking GOP; on the dangers (and cruel truths) of celebrity marriages and love affairs; on the wilds of television (The Wire, Friday Night Lights, Into the Abyss, Girls, Homeland, True Detective, Making a Murderer); on the (d)evolving environment; on terrorism, the historical imagination, and the world’s newest form of novelist; on the lesser (and larger) lives of biography and the midwifery between art and life (Anaïs Nin, Marilyn Monroe, John Cheever, Edna St. Vincent Millay, Eudora Welty, Bernard Malamud, among others); on the high art of being Helen Gurley Brown; and much, much more.
“Fifty years from now, it may well turn out that the work of very few American writers has as much to say about what it means to be alive in our time as that of Lorrie Moore” (Harper’s Magazine).
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